Properties (50)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
novel
|
| gptkbp:adaptation |
film
theatrical play |
| gptkbp:artMovement |
narrative structure
exploration of trauma depiction of resilience |
| gptkbp:author |
gptkb:Kamila_Shamsie
|
| gptkbp:availableFormats |
ebook
hardcover paperback audiobook |
| gptkbp:awards |
Best Novel Award
|
| gptkbp:characterDevelopment |
complex relationships
|
| gptkbp:conflict |
cultural identity
religious tensions |
| gptkbp:covers |
Unknown
|
| gptkbp:criticalReception |
positive
|
| gptkbp:culturalImpact |
discussions on identity
awareness of partition history |
| gptkbp:filmography |
2017
|
| gptkbp:genre |
historical fiction
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Last Train to Pakistan
|
| gptkbp:influencedBy |
gptkb:South_Asian_literature
postcolonial theory |
| gptkbp:influences |
historical events
personal experiences |
| gptkbp:inspiration |
historical partition
|
| gptkbp:ISBN |
978-0747541234
|
| gptkbp:language |
English
|
| gptkbp:mainCharacter |
gptkb:Jaswant_Singh
Nirmal Kaur |
| gptkbp:motif |
hope
loss memory |
| gptkbp:narrativeStyle |
third-person
|
| gptkbp:pageCount |
320
|
| gptkbp:publisher |
gptkb:Bloomsbury_Publishing
|
| gptkbp:relatedPatent |
The Perks of Being a Wallflower
Burnt Shadows Home Fire A God in Every Stone Kartography |
| gptkbp:releaseYear |
1996
|
| gptkbp:setting |
India_and_Pakistan
|
| gptkbp:style |
lyrical prose
|
| gptkbp:symbolism |
migration
trains |
| gptkbp:theme |
partition_of_India
|
| gptkbp:userDemographics |
young adults
adults |