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gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:television
gptkb:film
|
|
gptkbp:aspect_ratio
|
1.85:1
|
|
gptkbp:author
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gptkb:Elizabeth_Bowen
|
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gptkbp:available_formats
|
gptkb:audiobook
gptkb:print
ebook
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gptkbp:awards
|
gptkb:none
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gptkbp:based_on
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gptkb:novel
The Last September (novel)
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gptkbp:box_office
|
$1 million
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gptkbp:character
|
gptkb:The_Child
gptkb:The_Soldier
gptkb:Louise
gptkb:Miss_Lottie
gptkb:Mabel
gptkb:Mrs._Mc_Gowan
gptkb:The_Old_Woman
gptkb:The_Colonel
gptkb:The_Priest
gptkb:The_Visitor
gptkb:The_Gardener
The Major
The Young Man
The Housekeeper
Gerry
Mr. Mc Gowan
Sir Richard
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gptkbp:character_development
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complex characters
psychological depth
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gptkbp:character_relationships
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Louise and her family
Louise and her friends
Louise and her romantic interests
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gptkbp:cinematography
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gptkb:John_de_Borman
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|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:country
|
gptkb:Ireland
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|
gptkbp:cover_artist
|
gptkb:unknown
|
|
gptkbp:critical_reception
|
mixed reviews
well-received
|
|
gptkbp:cultural_aspect
|
gptkb:Irish_War_of_Independence
|
|
gptkbp:cultural_impact
|
influenced later writers
studied in literature courses
adapted into stage plays
influenced later Irish writers
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gptkbp:directed_by
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gptkb:Deborah_Warner
|
|
gptkbp:director
|
gptkb:Sebastian_Barry
gptkb:Thaddeus_O'_Sullivan
|
|
gptkbp:distributor
|
gptkb:Miramax_Films
|
|
gptkbp:film
|
gptkb:Michael_Gambon
gptkb:David_Tennant
gptkb:Keeley_Hawes
|
|
gptkbp:film_editing
|
gptkb:John_Wilson
|
|
gptkbp:film_festival
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:film_length
|
100 minutes
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|
gptkbp:first_edition
|
1929 edition
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|
gptkbp:focus
|
Anglo-Irish relations
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|
gptkbp:genre
|
gptkb:drama
gptkb:historical_fiction
|
|
gptkbp:historical_context
|
gptkb:Anglo-Irish_Treaty
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last September
|
|
gptkbp:influenced_by
|
gptkb:Henry_James
gptkb:James_Joyce
gptkb:Virginia_Woolf
|
|
gptkbp:influences
|
gptkb:modernism
gptkb:Celtic_mythology
modernist literature
post-colonial literature
|
|
gptkbp:inspiration
|
Bowen's own experiences
|
|
gptkbp:isbn
|
978-0141181983
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|
gptkbp:language
|
English
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|
gptkbp:literary_significance
|
character studies
explores themes of nostalgia
depiction of societal changes
exploration of the Anglo-Irish experience
examines the impact of World War I
reflects on personal and national identity
|
|
gptkbp:main_actor
|
gptkb:Michael_Gambon
gptkb:David_Tennant
gptkb:Keeley_Hawes
gptkb:Lindsay_Duncan
|
|
gptkbp:music_composer
|
gptkb:John_Mc_Cormack
|
|
gptkbp:narrative
|
omniscient narrator
|
|
gptkbp:narrative_style
|
third-person
non-linear
|
|
gptkbp:notable_quote
|
" We are all of us in the gutter, but some of us are looking at the stars."
" The world is a very strange place."
|
|
gptkbp:page_count
|
256
|
|
gptkbp:production_company
|
gptkb:Celtic_Films
|
|
gptkbp:protagonist
|
gptkb:Louise
|
|
gptkbp:published
|
gptkb:1929
|
|
gptkbp:publisher
|
gptkb:Penguin_Books
gptkb:Hogarth_Press
|
|
gptkbp:release_date
|
September 1999
|
|
gptkbp:release_year
|
gptkb:1999
|
|
gptkbp:released_in
|
gptkb:1999
|
|
gptkbp:screenings
|
35mm
|
|
gptkbp:screenplay_by
|
gptkb:Sebastian_Barry
|
|
gptkbp:set_in
|
gptkb:Ireland
|
|
gptkbp:setting
|
gptkb:Ireland
gptkb:sports_club
|
|
gptkbp:symbolism
|
autumn
nostalgia
change
decay
the house
the garden
the war
the changing landscape of Ireland
the decline of the Anglo-Irish aristocracy
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:loyalty
gptkb:identity
gptkb:war
love
social change
|
|
gptkbp:time_period
|
1920s
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|
gptkbp:bfsParent
|
gptkb:Maggie_Smith
|
|
gptkbp:bfsLayer
|
4
|