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gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
Independent Spirit Award nomination
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$4 million
|
|
gptkbp:character
|
gptkb:Brenda
|
|
gptkbp:cinematography
|
gptkb:Harris_Savides
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
Cult classic
|
|
gptkbp:directed_by
|
gptkb:John_Dahl
|
|
gptkbp:director
|
gptkb:John_Dahl
|
|
gptkbp:distributor
|
gptkb:Miramax_Films
|
|
gptkbp:editing
|
gptkb:Elliot_Graham
|
|
gptkbp:film_festival
|
gptkb:Sundance_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:New_York
|
|
gptkbp:genre
|
gptkb:drama
gptkb:thriller
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Seduction
|
|
gptkbp:influenced
|
neo-noir films
|
|
gptkbp:influenced_by
|
film noir
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Joe_Delia
|
|
gptkbp:music_composer
|
gptkb:Joe_Delia
|
|
gptkbp:notable_for
|
Linda Fiorentino's performance
|
|
gptkbp:plot
|
A woman uses her sexuality to manipulate men.
|
|
gptkbp:produced_by
|
gptkb:Michael_J._Mc_Gowan
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
September 1994
September 9, 1994
|
|
gptkbp:release_year
|
gptkb:1994
|
|
gptkbp:released_in
|
gptkb:1994
|
|
gptkbp:runtime
|
110 minutes
|
|
gptkbp:screenings
|
gptkb:Sundance_Film_Festival
|
|
gptkbp:screenplay
|
gptkb:Steve_Barancik
|
|
gptkbp:screenplay_by
|
gptkb:Steve_Barancik
|
|
gptkbp:set_in
|
gptkb:Buffalo,_New_York
|
|
gptkbp:starring
|
gptkb:Peter_Berg
gptkb:Linda_Fiorentino
gptkb:Bill_Pullman
|
|
gptkbp:writer
|
gptkb:Steve_Barancik
|
|
gptkbp:bfsParent
|
gptkb:1994_Toronto_International_Film_Festival
gptkb:Linda_Fiorentino
gptkb:1994_Cannes_Film_Festival
gptkb:John_Dahl
gptkb:Richard_Kern
gptkb:John_Getz
gptkb:Moonlighting
gptkb:Body_Double
gptkb:A_Perfect_Murder
gptkb:Joan_Barkin
|
|
gptkbp:bfsLayer
|
5
|