Statements (99)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:opera
|
| gptkbp:adaptation |
not directly adapted from a specific work
|
| gptkbp:adaptations |
adapted for television
|
| gptkbp:art_style |
characterized by emotional depth.
|
| gptkbp:artistic_expression |
serves as a platform for artistic expression.
|
| gptkbp:artistic_influence |
draws from various musical traditions.
|
| gptkbp:artistic_innovation |
incorporates modern musical techniques.
|
| gptkbp:artistic_legacy |
contributes to the legacy of American opera.
|
| gptkbp:artistic_vision |
reflects Heggie's unique perspective.
|
| gptkbp:audience |
mixed reviews from critics.
encourages audience participation. invites reflection on societal norms. offers a unique theatrical experience. |
| gptkbp:audience_impact |
leaves a lasting impression on viewers.
|
| gptkbp:character_arc |
The Savage undergoes a transformation.
|
| gptkbp:character_development |
characters evolve throughout the story.
|
| gptkbp:character_interaction |
characters engage in meaningful dialogue.
|
| gptkbp:character_motifs |
recurring themes associated with characters.
|
| gptkbp:character_motivation |
The Savage seeks acceptance.
|
| gptkbp:character_relationships |
The Savage and The Woman are romantically involved.
The Man is a rival to The Savage. The Savage faces internal and external conflicts. depicts complex relationships. explores power dynamics between characters. |
| gptkbp:collaboration |
involves a diverse creative team.
involves a team of talented artists. Heggie and Scheer have worked together on multiple projects. |
| gptkbp:composer |
gptkb:Gian_Carlo_Menotti
gptkb:Jake_Heggie |
| gptkbp:critical_analysis |
analyzed for its social commentary.
|
| gptkbp:critical_reception |
mixed reviews
|
| gptkbp:cultural_aspect |
set against a backdrop of cultural exploration.
|
| gptkbp:cultural_impact |
contributed to the repertoire of American opera.
has sparked discussions on its themes. |
| gptkbp:cultural_influence |
has influenced other contemporary works.
|
| gptkbp:cultural_references |
exploration of human nature
|
| gptkbp:cultural_reflection |
mirrors contemporary societal issues.
|
| gptkbp:cultural_significance |
addresses themes of colonialism.
remains relevant in discussions of culture. |
| gptkbp:demographics |
appeals to both opera enthusiasts and new audiences.
|
| gptkbp:dramatic_elements |
includes humor and pathos.
|
| gptkbp:dramatic_pacing |
maintains a dynamic pace.
|
| gptkbp:dramatic_resolution |
resolves conflicts in a thought-provoking manner.
|
| gptkbp:dramatic_tension |
maintains tension throughout the narrative.
|
| gptkbp:genre |
comic opera
|
| gptkbp:historical_context |
reflects early 21st-century societal issues.
|
| gptkbp:historical_legacy |
remains a significant work in contemporary opera.
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Last Savage
|
| gptkbp:influences |
African culture
modern opera inspired by various cultural myths. |
| gptkbp:influential_figure |
Jake Heggie is a prominent contemporary composer.
|
| gptkbp:inspiration |
The Tempest by William Shakespeare
|
| gptkbp:is_acclaimed_for |
well-received by audiences
|
| gptkbp:language |
English
|
| gptkbp:librettist |
gptkb:Gene_Scheer
gptkb:Gian_Carlo_Menotti |
| gptkbp:music_style |
three acts.
features complex musical forms. combines elements of classical and contemporary music. |
| gptkbp:musical_elements |
features rich harmonies.
|
| gptkbp:musical_exploration |
explores a range of musical styles.
|
| gptkbp:musical_highlight |
features memorable melodies.
|
| gptkbp:notable_aria |
The Savage's aria is a highlight.
|
| gptkbp:notable_character |
gptkb:The_King
gptkb:The_Man gptkb:The_Woman gptkb:The_Princess gptkb:The_Savage The Minister |
| gptkbp:notable_performance |
performed at various opera houses
|
| gptkbp:number_of_acts |
2
|
| gptkbp:orchestration |
orchestra and vocal ensemble
|
| gptkbp:performance |
approximately 2 hours
performed in various opera houses has been performed internationally. |
| gptkbp:performance_style |
often features elaborate staging.
|
| gptkbp:premiere |
gptkb:2006
|
| gptkbp:premiere_date |
gptkb:1968
|
| gptkbp:premiere_location |
gptkb:San_Francisco,_California
|
| gptkbp:production_company |
gptkb:San_Francisco_Opera
|
| gptkbp:recordings |
available on CD
|
| gptkbp:setting |
gptkb:Africa
a fictional island in the South Pacific |
| gptkbp:style |
lyrical and melodic
|
| gptkbp:symbolism |
The island represents isolation.
|
| gptkbp:thematic_depth |
offers layers of meaning.
|
| gptkbp:thematic_element |
civilization vs. savagery
civilization vs. primitivism |
| gptkbp:thematic_exploration |
examines the nature of humanity.
|
| gptkbp:thematic_focus |
exploration of identity.
|
| gptkbp:thematic_juxtaposition |
juxtaposes different cultural perspectives.
|
| gptkbp:thematic_resolution |
concludes with a message of understanding.
|
| gptkbp:thematic_resonance |
resonates with contemporary audiences.
|
| gptkbp:bfsParent |
gptkb:The_Metropolitan_Opera
gptkb:The_Washington_National_Opera gptkb:The_Metropolitan_Opera_House gptkb:opera |
| gptkbp:bfsLayer |
4
|