|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Ben_Savage
gptkb:Richard_Fleischer
gptkb:Paul_Wesley
gptkb:Lalo_Schifrin
|
|
gptkbp:art_style
|
Stylized cinematography.
|
|
gptkbp:artist
|
gptkb:John_T._Chambers
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|
gptkbp:aspect_ratio
|
1.85:1
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|
gptkbp:audience
|
Action and thriller fans.
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|
gptkbp:based_on
|
original story by Alan Sharp
|
|
gptkbp:box_office
|
$1.2 million
$1.5 million
|
|
gptkbp:budget
|
gptkb:$5_million
|
|
gptkbp:character
|
gptkb:Detective
gptkb:Marta
gptkb:Frank
gptkb:Rico
gptkb:Maggie
Paul Rickard
|
|
gptkbp:character_appearance
|
gptkb:Marlene_Stewart
|
|
gptkbp:character_arc
|
Frank's journey from hitman to redemption.
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|
gptkbp:character_development
|
Focuses on the protagonist's past.
|
|
gptkbp:cinematography
|
gptkb:Richard_H._Kline
gptkb:David_Tattersall
|
|
gptkbp:color
|
gptkb:color
|
|
gptkbp:composer
|
gptkb:John_Frizzell
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
mixed reviews
|
|
gptkbp:cultural_impact
|
cult following
Cult following.
|
|
gptkbp:design
|
gptkb:Robert_F._Boyle
|
|
gptkbp:director
|
gptkb:Richard_Fleischer
gptkb:Stephen_Hopkins
|
|
gptkbp:distributor
|
gptkb:football_club
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
gptkb:Robert_C._Jones
|
|
gptkbp:editor
|
Michael J. Duthie
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Chicago_International_Film_Festival
gptkb:Austin_Film_Festival
gptkb:Boulder_International_Film_Festival
gptkb:San_Diego_International_Film_Festival
gptkb:Seattle_International_Film_Festival
gptkb:Philadelphia_Film_Festival
gptkb:AFI_Fest
gptkb:Tribeca_Film_Festival
gptkb:Berlin_International_Film_Festival
gptkb:London_Film_Festival
gptkb:Palm_Springs_International_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:Cleveland_International_Film_Festival
gptkb:New_York_Film_Festival
gptkb:San_Francisco_International_Film_Festival
gptkb:Los_Angeles_Film_Festival
gptkb:Miami_Film_Festival
gptkb:Montreal_World_Film_Festival
gptkb:Nashville_Film_Festival
gptkb:Dallas_International_Film_Festival
gptkb:Newport_Beach_Film_Festival
gptkb:Cannes_Film_Festival_1971
Screened at various festivals
|
|
gptkbp:filming_location
|
gptkb:New_Mexico
gptkb:Spain
|
|
gptkbp:filmography
|
gptkb:Robert_C._Jones
|
|
gptkbp:genre
|
gptkb:musical
gptkb:Police_Department
gptkb:High_School
gptkb:film
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
Released on DVD
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Run
|
|
gptkbp:influenced_by
|
Character-driven narratives.
Film noir aesthetics.
Psychological thrillers.
Character studies.
Modern action thrillers.
Classic gangster films.
Redemption arcs.
|
|
gptkbp:influences
|
gptkb:film
Action films
Thriller films
film noir
heist films
Crime films
|
|
gptkbp:is_critical_for
|
Explores moral ambiguity.
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
Part of Dennis Hopper's filmography.
|
|
gptkbp:music_by
|
gptkb:Lalo_Schifrin
|
|
gptkbp:narrative_style
|
Linear storytelling.
|
|
gptkbp:plot
|
A retired hitman is forced to take one last job.
A retired criminal is forced to take on one last job.
|
|
gptkbp:premiere
|
gptkb:film_festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:production_company
|
gptkb:20th_Century_Fox
gptkb:Lionsgate_Films
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
1971-12-01
September 10, 2004
|
|
gptkbp:release_format
|
gptkb:DJ
|
|
gptkbp:release_year
|
gptkb:1971
gptkb:2004
|
|
gptkbp:runtime
|
100 minutes
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Alan_Sharp
gptkb:Richard_D'_Ovidio
|
|
gptkbp:soundtrack
|
gptkb:Lalo_Schifrin
Original score by John Frizzell
|
|
gptkbp:starring
|
gptkb:George_C._Scott
gptkb:Luis_Guzmán
gptkb:Katee_Sackhoff
gptkb:Trish_Van_Devere
gptkb:Dennis_Hopper
gptkb:Tony_Musante
|
|
gptkbp:theme
|
gptkb:Redemption
|
|
gptkbp:themes
|
gptkb:Survival
gptkb:Betrayal
gptkb:loyalty_program
Consequences of violence.
|
|
gptkbp:visual_effects
|
gptkb:L._B._Abbott
|