|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Marina_Hands
gptkb:2008_Independent_Spirit_Awards
gptkb:2007_Cannes_Film_Festival
|
|
gptkbp:art_style
|
stylized
|
|
gptkbp:aspect_ratio
|
1.85:1
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
gptkb:novel
|
|
gptkbp:box_office
|
$1.2 million
|
|
gptkbp:character
|
gptkb:César
gptkb:Renee
the Countess
the Duke
the Lover
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography
|
gptkb:Yves_Angelo
|
|
gptkbp:color
|
gptkb:color
|
|
gptkbp:contains
|
erotic scenes
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
notable
|
|
gptkbp:depicts
|
love affair
|
|
gptkbp:directed_by
|
gptkb:Catherine_Breillat
|
|
gptkbp:distributor
|
Pyramide Distribution
|
|
gptkbp:edited_by
|
gptkb:Catherine_Breillat
|
|
gptkbp:features
|
romantic themes
|
|
gptkbp:filming_location
|
gptkb:Monarch
|
|
gptkbp:follows
|
gptkb:historical_event
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:has_sequel
|
gptkb:none
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Mistress
|
|
gptkbp:influenced_by
|
gptkb:Politician
gptkb:historical_figure
social issues
literary movements
art movements
philosophical ideas
|
|
gptkbp:influences
|
gptkb:French_New_Wave
modern cinema
art films
feminist cinema
erotic films
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:music_by
|
gptkb:Rocco_De_Luca
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:premiered_on
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Catherine_Breillat
|
|
gptkbp:released_in
|
gptkb:2007
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Catherine_Breillat
|
|
gptkbp:set_in
|
19th century France
|
|
gptkbp:starring
|
gptkb:Asia_Argento
gptkb:Fu'ad_Aït_Aattou
gptkb:Roxane_Mesquida
|
|
gptkbp:themes
|
gptkb:betrayal
societal norms
passion
desire
|