gptkbp:instance_of
|
gptkb:film
|
gptkbp:bfsLayer
|
5
|
gptkbp:bfsParent
|
gptkb:The_Last_Laugh_(1924)
|
gptkbp:awards
|
gptkb:none
|
gptkbp:based_on
|
The Last Laugh (play)
|
gptkbp:box_office
|
gptkb:unknown
|
gptkbp:character
|
The girl
The doorman
The wealthy man
The manager
|
gptkbp:cinematography
|
gptkb:Karl_Freund
|
gptkbp:color
|
black and white
|
gptkbp:country
|
gptkb:government_agency
|
gptkbp:critical_reception
|
positive
|
gptkbp:cultural_impact
|
influenced later films
|
gptkbp:director
|
gptkb:Fritz_Lang
|
gptkbp:distributor
|
gptkb:Tobis_Film
|
gptkbp:filmography
|
gptkb:Paul_Falkenberg
silent film style
|
gptkbp:genre
|
gptkb:High_School
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Laugh (1951)
|
gptkbp:influenced_by
|
gptkb:theatre
German cinema
expressionist art
Fritz Lang's earlier works
|
gptkbp:influences
|
gptkb:German_Expressionism
|
gptkbp:inspiration
|
silent film era
|
gptkbp:language
|
gptkb:Native_American_tribe
|
gptkbp:music
|
gptkb:Hans_Eisler
|
gptkbp:notable_appearance
|
gptkb:Emil_Jannings
the final scene
the party scene
the confrontation scene
the doorman's transformation
|
gptkbp:premiere
|
gptkb:Berlin
|
gptkbp:production_company
|
gptkb:Tobis_Film
|
gptkbp:release_date
|
1951
|
gptkbp:remake
|
gptkb:The_Last_Laugh_(2000)
|
gptkbp:runtime
|
90 minutes
|
gptkbp:screenplay_by
|
gptkb:Carl_Zuckmayer
|
gptkbp:setting
|
gptkb:Berlin
|
gptkbp:themes
|
gptkb:musical
gptkb:TV_series
gptkb:earthquake
social status
|