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gptkbp:instance_of
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gptkb:artwork
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
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gptkb:Gian_Giacomo_Caprotti
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gptkbp:art_movement
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gptkb:organization
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gptkbp:art_style
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chiaroscuro
dynamic composition
contrapposto
dramatic poses
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gptkbp:color
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vivid colors
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gptkbp:commissioned
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gptkb:Pope_Clement_VII
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gptkbp:completed
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gptkb:the_altar_of_the_Sistine_Chapel
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gptkbp:created_by
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gptkb:Michelangelo
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gptkbp:cultural_impact
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influenced religious art
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gptkbp:depicts
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the Second Coming of Christ
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gptkbp:dimensions
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440 cm × 880 cm
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gptkbp:exhibited_at
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gptkb:Vatican_Museums
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gptkbp:historical_significance
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depicts the final judgment of souls
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https://www.w3.org/2000/01/rdf-schema#label
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The Last Judgment (copy)
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gptkbp:influenced_by
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gptkb:philosopher
gptkb:Gothic_art
Classical art
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gptkbp:inspired
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numerous artists
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gptkbp:location
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gptkb:Sistine_Chapel
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gptkbp:medium
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gptkb:artwork
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gptkbp:notable_figures
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gptkb:Saint
gptkb:mythological_figure
Damned souls
Saved souls
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gptkbp:notable_products
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gptkb:Christ_as_Judge
gptkb:the_Virgin_Mary
the resurrection of the dead
the use of light and shadow
the historical context
the emotional impact
the artistic legacy
the intricate details
the saved ascending to heaven
the overall composition
the Last Trumpet
the angels with the cross
the damned being dragged down
the dramatic contrasts
the emotional expressions
the river of souls
the saints with their symbols
the scale of the figures
the theological themes
the use of nudity
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gptkbp:restoration
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restored in the 1980s
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gptkbp:style
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gptkb:Mannerism
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gptkbp:symbolism
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redemption and damnation
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gptkbp:technique
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gptkb:artwork
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gptkbp:year_created
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1541
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