|
gptkbp:instance_of
|
gptkb:anthology
gptkb:book_series
gptkb:novel
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Catherine_Tyler_Jr.
gptkb:N-1_Publishing
gptkb:Max_Dunbar
gptkb:Catherine_Doctorow
gptkb:The_Best_American_Mystery_Stories_2020
gptkb:John_Heller
gptkb:Peter_Hedges
gptkb:Kate_Lardner
gptkb:Andrew_Knight
gptkb:Helen_Knode
gptkb:Michael_X._Martin
gptkb:Anne_Rampling
gptkb:Katherine_A._Mc_Gowan
gptkb:Scott_O'_Connor
gptkb:B._D._Mc_Cafferty
gptkb:Claudia_Williams
gptkb:Derek_Slater
gptkb:David_Stone
gptkb:Tom_Purcell
gptkb:Louis_Mc_Kay
gptkb:John_Mc_Gowan
gptkb:Todd_Alcott
gptkb:Greg_Dawson
gptkb:J._R._Havlan
gptkb:Katherine_D._Mc_Gowan
gptkb:Katherine_K._Mc_Gowan
gptkb:Katherine_M._Mc_Gowan
gptkb:Michael_Elliott
|
|
gptkbp:adaptation
|
gptkb:none
|
|
gptkbp:author
|
gptkb:Author
gptkb:Linda_Nagata
notable for speculative fiction
|
|
gptkbp:available_formats
|
gptkb:book
paperback
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:character_arc
|
redemption
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:character_relationships
|
strained
|
|
gptkbp:climax
|
confrontation with authority
|
|
gptkbp:conflict
|
non-traditional
man vs self
man vs society
|
|
gptkbp:constructed_in
|
detailed
|
|
gptkbp:covered_by
|
gptkb:artwork
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
minimal
|
|
gptkbp:first_published
|
gptkb:2019
|
|
gptkbp:genre
|
gptkb:Author
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Good Man
|
|
gptkbp:impact
|
thought-provoking
|
|
gptkbp:influences
|
gptkb:Isaac_Asimov
gptkb:Philip_K._Dick
post-apocalyptic fiction
cyberpunk literature
|
|
gptkbp:inspiration
|
real-world issues
|
|
gptkbp:is_evaluated_by
|
positive reviews
|
|
gptkbp:is_motivated_by
|
survival instinct
|
|
gptkbp:isbn
|
978-1-947-19800-0
978-1734872004
978-1-947-19500-0
978-1947993904
|
|
gptkbp:language
|
English
realistic
|
|
gptkbp:length
|
short story (approx. 5,000 words)
|
|
gptkbp:literary_devices
|
gptkb:literary_work
imagery
foreshadowing
|
|
gptkbp:main_character
|
gptkb:John
gptkb:Kira
unknown protagonist
|
|
gptkbp:mood
|
tense
|
|
gptkbp:motif
|
gptkb:survival
|
|
gptkbp:narrative_style
|
limited
third-person
|
|
gptkbp:number_of_books
|
gptkb:3
short novella
|
|
gptkbp:page_count
|
gptkb:television_series
gptkb:300
|
|
gptkbp:plot_twist
|
unexpected ally
|
|
gptkbp:predecessor
|
gptkb:none
|
|
gptkbp:published_by
|
gptkb:2019
gptkb:2020
gptkb:Tor.com
|
|
gptkbp:publisher
|
gptkb:Mythic_Island_Press
Independently published
|
|
gptkbp:reader_demographic
|
high
|
|
gptkbp:release_date
|
November 2019
|
|
gptkbp:resolution
|
ambiguous ending
|
|
gptkbp:series
|
Standalone
|
|
gptkbp:setting
|
dystopian future
near-future Earth
near-future America
|
|
gptkbp:sound
|
serious
|
|
gptkbp:speed
|
fast-paced
|
|
gptkbp:style
|
concise
|
|
gptkbp:successor
|
gptkb:none
|
|
gptkbp:symbolism
|
the last good man
|
|
gptkbp:target_audience
|
adult readers
|
|
gptkbp:theme
|
gptkb:humanity
gptkb:survival
morality
|
|
gptkbp:user_reviews
|
generally favorable
|
|
gptkbp:written_by
|
gptkb:Michael_K._Miller
|