|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Frank_Capra_Productions
|
|
gptkbp:adaptation
|
gptkb:1960
gptkb:film
mixed reviews
|
|
gptkbp:author
|
gptkb:Mickey_Spillane
|
|
gptkbp:awards
|
gptkb:None
gptkb:none
|
|
gptkbp:based_on
|
novel by John Mc Partland
|
|
gptkbp:box_office
|
$3 million
|
|
gptkbp:budget
|
$1.5 million
|
|
gptkbp:character
|
gptkb:faction
gptkb:Detective
gptkb:Frankie
gptkb:Mickey
gptkb:Rita
|
|
gptkbp:character_arc
|
gptkb:Mike_Hammer's_quest_for_vengeance
|
|
gptkbp:character_development
|
complex characters
Mike Hammer's evolution
|
|
gptkbp:character_relationships
|
Mike Hammer and his love interests
|
|
gptkbp:cinematography
|
gptkb:Joseph_F._Biroc
|
|
gptkbp:conflict
|
violent confrontation
gang warfare
|
|
gptkbp:contains
|
violence
|
|
gptkbp:cover_art
|
gptkb:Robert_Mc_Ginnis
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced crime genre
influenced later gangster films
|
|
gptkbp:cultural_references
|
referenced in other media
|
|
gptkbp:depicts
|
gptkb:Police_Department
|
|
gptkbp:directed_by
|
gptkb:Joseph_M._Newman
|
|
gptkbp:director
|
gptkb:Boris_Sagal
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
gptkb:Robert_L._Simpson
|
|
gptkbp:features
|
gangster themes
|
|
gptkbp:filming_location
|
gptkb:California
|
|
gptkbp:filmography
|
gptkb:Robert_Lansing
|
|
gptkbp:followed_by
|
gptkb:The_Girl_Hunters
|
|
gptkbp:follows
|
The Last Gangster (novel)
|
|
gptkbp:genre
|
gptkb:Detective
gptkb:Police_Department
crime drama
|
|
gptkbp:has_sequel
|
gptkb:None
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Gangster
|
|
gptkbp:influenced_artists
|
inspired future crime writers
|
|
gptkbp:influenced_by
|
gptkb:historical_event
American culture
Italian-American culture
film noir
crime literature
real-life gangsters
gangster films of the 1930s
gangster films of the 1940s
gangster films of the 1950s
gangster films of the 1960s
|
|
gptkbp:influences
|
hardboiled fiction
|
|
gptkbp:inspiration
|
real-life gangsters
|
|
gptkbp:is_critical_for
|
examined for misogyny
|
|
gptkbp:is_motivated_by
|
gptkb:personal_loss
|
|
gptkbp:isbn
|
978-0-451-52945-0
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Detective
gptkb:Mike_Hammer
|
|
gptkbp:motif
|
gptkb:justice
|
|
gptkbp:music_by
|
gptkb:Elmer_Bernstein
|
|
gptkbp:narrative_style
|
first-person
limited omniscient
|
|
gptkbp:notable_quote
|
" I’m the last gangster."
|
|
gptkbp:official_language
|
English
|
|
gptkbp:page_count
|
224
|
|
gptkbp:plot
|
linear narrative
|
|
gptkbp:plot_twist
|
unexpected betrayal
|
|
gptkbp:preceded_by
|
The Long Wait
|
|
gptkbp:premiere
|
gptkb:Borough
|
|
gptkbp:produced_by
|
gptkb:Robert_Stigwood
|
|
gptkbp:production_company
|
gptkb:20th_Century_Fox
|
|
gptkbp:published_year
|
1950
|
|
gptkbp:publisher
|
gptkb:E._P._Dutton
|
|
gptkbp:reader_demographic
|
cult following
adult audience
|
|
gptkbp:release_date
|
December 1970
|
|
gptkbp:released_in
|
gptkb:1970
|
|
gptkbp:remake
|
gptkb:None
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Richard_L._Breen
|
|
gptkbp:series
|
gptkb:Mike_Hammer_novels
gptkb:Mike_Hammer_series
|
|
gptkbp:set_in
|
gptkb:Borough
|
|
gptkbp:setting
|
gptkb:Borough
|
|
gptkbp:starring
|
gptkb:James_Cagney
gptkb:Lynn_Roth
gptkb:John_Marley
|
|
gptkbp:style
|
gptkb:weapon
|
|
gptkbp:symbolism
|
the city as a character
|
|
gptkbp:theme
|
gptkb:revenge
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:loyalty
gptkb:power_struggles
family ties
redemption
|
|
gptkbp:year
|
mid-20th century
|