gptkbp:instance_of
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gptkb:novel
gptkb:play
gptkb:film
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gptkbp:bfsLayer
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3
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gptkbp:bfsParent
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gptkb:Roger_Zelazny
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gptkbp:adapted_into
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gptkb:Arthurian_legends
gptkb:television_special
gptkb:studio
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gptkbp:author
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gptkb:Roger_Zelazny
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gptkbp:based_on
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The Last Defender of Camelot (play)
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gptkbp:cinematography
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gptkb:John_Mc_Glashan
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gptkbp:contains
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fantastical elements
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gptkbp:country
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gptkb:United_Kingdom
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gptkbp:depicts
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gptkb:Order_of_chivalry
gptkb:Camelot
the fall of Camelot
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gptkbp:directed_by
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gptkb:Robert_Kalfin
gptkb:Paul_B._Johnson
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gptkbp:distributor
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gptkb:Cinemax
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gptkbp:edited_by
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gptkb:Michael_Bradsell
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gptkbp:explores
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gptkb:betrayal
gptkb:loyalty
gptkb:Saint
themes of love
themes of sacrifice
themes of loyalty
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gptkbp:features
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gptkb:Lancelot
gptkb:Guinevere
gptkb:amusement_park
gptkb:Monarch
gptkb:Merlin
romance
sword fighting
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gptkbp:follows
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gptkb:King_Arthur
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gptkbp:genre
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gptkb:Magic:_The_Gathering_set
gptkb:High_School
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gptkbp:has_character
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gptkb:Lancelot
gptkb:Guinevere
gptkb:Mordred
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gptkbp:has_song
|
gptkb:Stephen_Schwartz
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gptkbp:has_theme
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gptkb:philosopher
gptkb:award
gptkb:betrayal
gptkb:heroism
gptkb:justice
gptkb:Politician
gptkb:Community_Center
gptkb:Saint
gptkb:earthquake
gptkb:destiny
gptkb:Order
gptkb:archaeological_site
gptkb:mythological_figure
gptkb:military_conflict
gptkb:superhero
gptkb:chivalry
courage
redemption
truth
the search for meaning
the quest for identity
betrayal of trust
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https://www.w3.org/2000/01/rdf-schema#label
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The Last Defender of Camelot
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gptkbp:influenced
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modern interpretations of Arthurian legend
|
gptkbp:influenced_by
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gptkb:Order_of_chivalry
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gptkbp:is_available_in
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published scripts
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gptkbp:is_available_on
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gptkb:streaming_platforms
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gptkbp:is_considered
|
a modern classic
a thought-provoking play
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gptkbp:is_explored_in
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academic studies
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gptkbp:is_influenced_by
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historical accounts of King Arthur
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gptkbp:is_part_of
|
American theater history
Camelot series
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gptkbp:is_recognized_by
|
theater critics
|
gptkbp:language
|
English
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gptkbp:main_character
|
gptkb:King_Arthur
gptkb:Merlin
|
gptkbp:music_by
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gptkb:David_Arnold
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gptkbp:notable_for
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its emotional depth
its character-driven narrative
its dialogue and character development
its unique perspective on Arthurian legends
its exploration of Arthurian characters' motivations
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gptkbp:performed_by
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gptkb:The_American_Place_Theatre
gptkb:theater_festivals
regional theaters
professional theater companies
university theater programs
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gptkbp:premiered_on
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gptkb:Borough
gptkb:1989
|
gptkbp:produced_by
|
gptkb:The_American_Place_Theatre
gptkb:Paul_B._Johnson
|
gptkbp:published_by
|
gptkb:1980
gptkb:The_New_York_Times
|
gptkbp:received
|
critical acclaim
|
gptkbp:released
|
gptkb:1990
|
gptkbp:runtime
|
90 minutes
approximately 90 minutes
|
gptkbp:screenplay_by
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gptkb:David_Pownall
|
gptkbp:set_in
|
gptkb:Camelot
medieval times
the mythical past
|
gptkbp:setting
|
gptkb:Camelot
|
gptkbp:starring
|
gptkb:Michael_York
gptkb:John_Hurt
gptkb:Richard_O'_Brien
|
gptkbp:theme
|
gptkb:heroism
gptkb:Saint
|
gptkbp:written_by
|
gptkb:Roger_Rosenblatt
|
gptkbp:written_in
|
one act
|