Statements (48)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Agoraphobic_Nosebleed
gptkb:The_Toxic_Mega_C*** |
| gptkbp:adaptation |
gptkb:film
|
| gptkbp:author |
gptkb:Peter_Weiss
|
| gptkbp:character |
gptkb:military_unit
gptkb:philosopher gptkb:spacecraft gptkb:Politician |
| gptkbp:cultural_impact |
translated into multiple languages
performed internationally discussed in literary circles inspired discussions on ethics used in educational settings inspired visual art studied in academia influenced playwrights adapted for radio performed in festivals adapted for television influenced modern drama influenced music compositions explored themes of existentialism reflected on human nature analyzed by critics highlighted the futility of war contributed to post-war literature examined in philosophical contexts examined the absurdity of life |
| gptkbp:genre |
gptkb:High_School
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Last Days of Humanity
|
| gptkbp:influence |
gptkb:theatre
|
| gptkbp:inspiration |
gptkb:historical_event
|
| gptkbp:language |
gptkb:Native_American_tribe
|
| gptkbp:message |
human suffering
societal collapse critique of war |
| gptkbp:notable_for |
epic length
|
| gptkbp:performance |
gptkb:theatre
|
| gptkbp:premiere |
gptkb:1963
|
| gptkbp:published_by |
gptkb:1963
|
| gptkbp:setting |
gptkb:World_War_I
|
| gptkbp:social_structure |
episodic
|
| gptkbp:style |
absurdist
|
| gptkbp:theme |
gptkb:humanity
gptkb:cemetery gptkb:war |