|
gptkbp:instance_of
|
gptkb:play
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:radio_station
gptkb:television
gptkb:film
|
|
gptkbp:audience
|
appreciated by critics
|
|
gptkbp:available_on
|
gptkb:DVD
gptkb:Blu-ray
gptkb:streaming_platforms
|
|
gptkbp:based_on
|
play by Emlyn Williams
|
|
gptkbp:box_office
|
gptkb:unknown
low earnings
|
|
gptkbp:character
|
gptkb:Gwen
gptkb:Dai
gptkb:Ivor
Mr. Evans
Mrs. Evans
|
|
gptkbp:character_development
|
emotional depth
moral dilemmas
complex characters
|
|
gptkbp:cinematography_by
|
gptkb:Cecil_Holmes
gptkb:Cyril_Knowles
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
positive
mixed reviews
|
|
gptkbp:cultural_significance
|
Welsh identity
depicts Welsh life
|
|
gptkbp:depicts
|
rural life
community dynamics
|
|
gptkbp:directed_by
|
gptkb:Emlyn_Williams
|
|
gptkbp:director
|
gptkb:Emlyn_Williams
|
|
gptkbp:distributor
|
gptkb:General_Film_Distributors
gptkb:British_Lion_Films
|
|
gptkbp:duration
|
approximately 90 minutes
|
|
gptkbp:edited_by
|
gptkb:John_Seabourne
|
|
gptkbp:explores
|
gptkb:cultural_heritage
gptkb:identity
gptkb:tradition
social issues
personal relationships
|
|
gptkbp:features
|
gptkb:traditional_music
local dialects
|
|
gptkbp:film_festival
|
gptkb:none
screened at various festivals
|
|
gptkbp:film_technique
|
realistic dialogue
location shooting
naturalistic performances
|
|
gptkbp:filming_location
|
gptkb:Wales
Dolwyn village
|
|
gptkbp:first_performance
|
gptkb:The_Lyric_Theatre,_London
|
|
gptkbp:follows
|
The Last Days of Dolwyn (play)
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has_cameo
|
gptkb:none
|
|
gptkbp:historical_context
|
post-World War II Britain
|
|
gptkbp:home_media_release
|
gptkb:DVD
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Days of Dolwyn
|
|
gptkbp:influenced
|
future Welsh filmmakers
subsequent Welsh films
subsequent Welsh plays
|
|
gptkbp:influenced_by
|
gptkb:Celtic_mythology
gptkb:Italian_neorealism
Welsh history
Welsh culture
post-war British cinema
British social realism
|
|
gptkbp:influences
|
Welsh culture
post-war cinema
|
|
gptkbp:inspiration
|
personal experiences of Emlyn Williams
Emlyn Williams' childhood
|
|
gptkbp:inspired_by
|
real events
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
cult following
considered a classic of Welsh cinema
|
|
gptkbp:music_by
|
gptkb:Derek_Bailey
|
|
gptkbp:narrative
|
set in a Welsh village
|
|
gptkbp:notable_awards
|
gptkb:none
|
|
gptkbp:notable_characters
|
gptkb:Gwen
gptkb:Dai
Mr. Evans
Mrs. Evans
|
|
gptkbp:notable_for
|
depiction of rural life
|
|
gptkbp:notable_production
|
West End revival
Royal National Theatre production
Welsh National Opera adaptation
|
|
gptkbp:notable_scene
|
family gatherings
community meetings
landscape shots
emotional confrontations
village farewell
|
|
gptkbp:original_language
|
English
|
|
gptkbp:performed_at
|
gptkb:Theatr_Clwyd
gptkb:theater
|
|
gptkbp:performed_by
|
professional theatre companies
amateur theatre groups
|
|
gptkbp:premiere
|
gptkb:London
|
|
gptkbp:premiered_on
|
gptkb:1940
|
|
gptkbp:produced_by
|
gptkb:Emlyn_Williams
|
|
gptkbp:producer
|
gptkb:Emlyn_Williams
|
|
gptkbp:production_company
|
gptkb:Welsh_National_Theatre
|
|
gptkbp:published_by
|
gptkb:Samuel_French
|
|
gptkbp:release_date
|
1949-09-01
|
|
gptkbp:release_year
|
gptkb:1949
|
|
gptkbp:released_in
|
gptkb:1949
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:revived_in
|
2000s
2010s
|
|
gptkbp:runtime
|
90 minutes
85 minutes
|
|
gptkbp:screenings
|
theatrical release
|
|
gptkbp:screenplay_by
|
gptkb:Emlyn_Williams
|
|
gptkbp:set_in
|
gptkb:Wales
|
|
gptkbp:soundtrack
|
gptkb:original_score
|
|
gptkbp:starring
|
gptkb:Rachel_Roberts
gptkb:Glynis_Johns
gptkb:Donald_Houston
gptkb:Mervyn_Johns
gptkb:Emlyn_Williams
gptkb:Glyn_Houston
|
|
gptkbp:themes
|
gptkb:loss
gptkb:family
gptkb:community
love
change
|
|
gptkbp:written_by
|
gptkb:Emlyn_Williams
|
|
gptkbp:bfsParent
|
gptkb:Richard_Burton
|
|
gptkbp:bfsLayer
|
4
|