|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Michael_Connelly
|
|
gptkbp:adaptation
|
gptkb:none
|
|
gptkbp:author
|
gptkb:Michael_Connelly
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:book_format
|
hardcover
|
|
gptkbp:character_arc
|
redemption arc
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:character_relationships
|
obsessive
strained family ties
|
|
gptkbp:climax
|
confrontation with the antagonist
|
|
gptkbp:conflict
|
personal and professional
|
|
gptkbp:cover_art
|
gptkb:unknown
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_references
|
Los Angeles culture
|
|
gptkbp:followed_by
|
Constitutional
|
|
gptkbp:genre
|
gptkb:Detective
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Coyote
|
|
gptkbp:impact
|
strong
|
|
gptkbp:influenced_artists
|
gptkb:significant
|
|
gptkbp:influences
|
hardboiled fiction
|
|
gptkbp:inspiration
|
real-life events
|
|
gptkbp:is_motivated_by
|
gptkb:justice
|
|
gptkbp:isbn
|
978-0-316-11329-0
|
|
gptkbp:language
|
English
realistic
|
|
gptkbp:literary_devices
|
foreshadowing
|
|
gptkbp:main_character
|
gptkb:Detective
gptkb:Harry_Bosch
|
|
gptkbp:mood
|
dark
|
|
gptkbp:motif
|
gptkb:mythological_figure
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:notable_story_arc
|
linear
|
|
gptkbp:page_count
|
400
|
|
gptkbp:plot
|
investigation of a cold case
|
|
gptkbp:plot_twist
|
unexpected
|
|
gptkbp:preceded_by
|
gptkb:The_Black_Echo
|
|
gptkbp:published_by
|
gptkb:1995
|
|
gptkbp:publisher
|
gptkb:Little,_Brown_and_Company
|
|
gptkbp:reader_demographic
|
high
adult
thought-provoking
|
|
gptkbp:resolution
|
closure for Bosch
|
|
gptkbp:series
|
gptkb:Harry_Bosch_series
gptkb:Harry_Bosch
|
|
gptkbp:setting
|
gptkb:Los_Angeles
1990s
vivid
|
|
gptkbp:speed
|
gptkb:military_unit
|
|
gptkbp:style
|
suspenseful
|
|
gptkbp:symbolism
|
coyote as a trickster
|
|
gptkbp:thematic_element
|
loss and grief
|
|
gptkbp:theme
|
redemption
|