gptkbp:instanceOf
|
film
|
gptkbp:basedOn
|
short_story_by_William_H._Wright
|
gptkbp:boxOffice
|
$1 million
|
gptkbp:character
|
Sheriff
townsfolk
Confederate_officer
|
gptkbp:cinematographyBy
|
gptkb:Charles_Lawton_Jr.
|
gptkbp:colors
|
Black and white
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:criticalReception
|
Mixed reviews
|
gptkbp:directedBy
|
gptkb:Nicholas_Ray
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
gptkbp:editedBy
|
gptkb:Richard_C._Meyer
|
gptkbp:filmingLocation
|
gptkb:California
|
gptkbp:genre
|
Western
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Command (1955)
|
gptkbp:influencedBy
|
gptkb:American_Civil_War
film noir
Western genre
post-war_America
|
gptkbp:language
|
English
|
gptkbp:musicBy
|
gptkb:George_Duning
|
gptkbp:notableFeature
|
Historical context
Soundtrack
Symbolism
Awards
Legacy
Character development
Dialogue
Cultural references
Audience reception
Film festivals
Cultural impact
Critical analysis
Character arcs
Themes of redemption
Cinematography style
Conflict between past and present
Film techniques
Moral_dilemmas
|
gptkbp:plot
|
A_former_Confederate_officer_becomes_a_sheriff_in_a_small_Texas_town.
|
gptkbp:producedBy
|
gptkb:Columbia_Pictures
|
gptkbp:released
|
1955
|
gptkbp:releaseDate
|
April 1955
|
gptkbp:runtime
|
81 minutes
|
gptkbp:screenplayBy
|
gptkb:Robert_L._Richards
|
gptkbp:setIn
|
gptkb:Texas
|
gptkbp:starring
|
gptkb:Anna_Kashfi
gptkb:Sterling_Hayden
gptkb:James_Arness
|