|
gptkbp:instance_of
|
gptkb:illusion
gptkb:novel
gptkb:play
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:none
|
|
gptkbp:adaptations
|
gptkb:none
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:author
|
gptkb:Vince_Flynn
|
|
gptkbp:available_formats
|
gptkb:audiobook
ebook
hardcover
paperback
|
|
gptkbp:available_on
|
gptkb:DVD
gptkb:streaming_platforms
|
|
gptkbp:awards
|
gptkb:Best_Actress
gptkb:Best_Director
gptkb:Best_Film
gptkb:Best_Supporting_Actor
|
|
gptkbp:box_office
|
$15 million
|
|
gptkbp:budget
|
gptkb:$5_million
|
|
gptkbp:character
|
gptkb:government_officials
gptkb:Stan_Hurley
gptkb:terrorism
Anna Rapp
CIA operatives
|
|
gptkbp:character_development
|
gptkb:complex
Mitch Rapp's evolution
|
|
gptkbp:conflict
|
internal conflict
external conflict
resolution through action
resolution through sacrifice
resolution through strategy
|
|
gptkbp:costume_design
|
Designer B
|
|
gptkbp:country
|
gptkb:USA
|
|
gptkbp:cover_artist
|
gptkb:unknown
|
|
gptkbp:critical_reception
|
positive
mixed
|
|
gptkbp:cultural_impact
|
inspired discussions on security
influenced other playwrights
analyzed in theater studies
performed in universities
discussed in literature courses
popular among thriller readers
influenced other thriller writers
|
|
gptkbp:demographics
|
adults
|
|
gptkbp:directed_by
|
gptkb:John_Doe
|
|
gptkbp:director
|
gptkb:John_Doe
|
|
gptkbp:film
|
Actor A
Actor B
Actor C
|
|
gptkbp:followed_by
|
gptkb:Consent_to_Kill
|
|
gptkbp:follows
|
a group of friends
|
|
gptkbp:game_design
|
Keeper
|
|
gptkbp:genre
|
gptkb:drama
gptkb:thriller
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Chance
|
|
gptkbp:influenced_by
|
crime dramas
|
|
gptkbp:influences
|
gptkb:Tom_Clancy
gptkb:Robert_Ludlum
gptkb:American_theater
gptkb:John_le_Carré
Mamet's works
|
|
gptkbp:inspired_by
|
real events
|
|
gptkbp:is_set_in
|
Designer Y
|
|
gptkbp:isbn
|
978-0743470133
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
naturalistic
|
|
gptkbp:lighting
|
Designer Z
|
|
gptkbp:main_character
|
gptkb:Mitch_Rapp
|
|
gptkbp:mechanics
|
d100 system
|
|
gptkbp:motif
|
gptkb:betrayal
gptkb:loyalty
gptkb:sacrifice
|
|
gptkbp:music_by
|
gptkb:Emily_White
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:notable_awards
|
gptkb:Audience_Choice_Award
Best Play Award
|
|
gptkbp:notable_character
|
gptkb:Tom
gptkb:Jack
gptkb:Lisa
gptkb:Frank
gptkb:Maggie
|
|
gptkbp:original_language
|
English
|
|
gptkbp:page_count
|
400
|
|
gptkbp:part_of
|
gptkb:Delta_Green:_The_Reckoning
|
|
gptkbp:performed_at
|
Theater Y
Theater X
Theater Z
|
|
gptkbp:players
|
gptkb:Agent
|
|
gptkbp:plot
|
counter-terrorism mission
|
|
gptkbp:preceded_by
|
Separation of Power
|
|
gptkbp:premiered_on
|
gptkb:2002
gptkb:Sundance_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:XYZ_Productions
Theater Company X
|
|
gptkbp:published_by
|
gptkb:Random_House
gptkb:Arc_Dream_Publishing
|
|
gptkbp:published_year
|
gptkb:2003
|
|
gptkbp:publisher
|
gptkb:Atria_Books
|
|
gptkbp:rating
|
85%
|
|
gptkbp:reader_demographic
|
adults
thriller enthusiasts
fans of espionage fiction
|
|
gptkbp:release_date
|
gptkb:2016
|
|
gptkbp:release_year
|
gptkb:2005
|
|
gptkbp:released_in
|
gptkb:2023
|
|
gptkbp:runtime
|
120 minutes
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Michael_Green
|
|
gptkbp:series
|
gptkb:Mitch_Rapp
|
|
gptkbp:set_in
|
gptkb:Chicago
|
|
gptkbp:setting
|
gptkb:Europe
gptkb:Middle_East
gptkb:United_States
gptkb:Washington_D._C.
urban environment
|
|
gptkbp:sound_design
|
Designer A
|
|
gptkbp:starring
|
gptkb:Jane_Smith
gptkb:John_Brown
|
|
gptkbp:theater
|
2002-2003
|
|
gptkbp:theme
|
desperation
|
|
gptkbp:themes
|
gptkb:national_security
gptkb:betrayal
gptkb:political_intrigue
gptkb:terrorism
gptkb:friendship
redemption
|
|
gptkbp:written_by
|
gptkb:David_Mamet
|
|
gptkbp:bfsParent
|
gptkb:cross
gptkb:Sir_Robert_Bryson_Hall_II
gptkb:J._A._Jance
gptkb:Henri_Vidal
gptkb:The_Angels
gptkb:The_Bouncing_Souls
gptkb:Charles_Vanel
gptkb:Michael_Powell
gptkb:C._J._Box
gptkb:The_Goat_Rodeo_Sessions
|
|
gptkbp:bfsLayer
|
4
|