gptkbp:instance_of
|
gptkb:novel
|
gptkbp:bfsLayer
|
6
|
gptkbp:bfsParent
|
gptkb:Vicky_Bliss
gptkb:The_Painted_Queen
gptkb:Amelia_Peabody
gptkb:Vicky_Bliss_series
|
gptkbp:adaptation
|
gptkb:none
|
gptkbp:author
|
gptkb:Elizabeth_Peters
|
gptkbp:awards
|
gptkb:none
|
gptkbp:character_development
|
gptkb:Radcliffe_Emerson
gptkb:Amelia_Peabody
|
gptkbp:conflict
|
gptkb:legal_case
|
gptkbp:critical_reception
|
positive
|
gptkbp:cultural_references
|
gptkb:historical_figure
Victorian society
archaeological practices
|
gptkbp:followed_by
|
The Snake, the Crocodile and the Dog
|
gptkbp:genre
|
gptkb:mythological_figure
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Camel Died at Noon
|
gptkbp:influences
|
gptkb:Agatha_Christie
gptkb:Arthur_Conan_Doyle
|
gptkbp:inspiration
|
gptkb:historical_event
personal experiences of the author
real archaeological discoveries
|
gptkbp:isbn
|
978-0061099194
|
gptkbp:language
|
English
|
gptkbp:main_character
|
gptkb:Radcliffe_Emerson
gptkb:Amelia_Peabody
gptkb:archaeological_site
gptkb:historical_figure
|
gptkbp:narrative_style
|
first-person
|
gptkbp:page_count
|
gptkb:368
|
gptkbp:plot
|
exploration of ancient Egypt
search for a missing camel
uncovering a murder
|
gptkbp:preceded_by
|
gptkb:Crocodile_on_the_Sandbank
|
gptkbp:published_by
|
gptkb:1991
|
gptkbp:publisher
|
gptkb:William_Morrow
|
gptkbp:reader_demographic
|
young adult
adult
|
gptkbp:series
|
gptkb:Amelia_Peabody_series
|
gptkbp:setting
|
gptkb:historical_figure
|
gptkbp:style
|
witty
humorous
suspenseful
|
gptkbp:theme
|
gptkb:church
gptkb:amusement_park
gptkb:mythological_figure
|
gptkbp:year
|
gptkb:Victorian_era
|