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gptkbp:instance_of
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gptkb:anthology
|
|
gptkbp:adaptation
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gptkb:theatre
gptkb:1960
gptkb:1975
gptkb:1986
gptkb:2000
gptkb:2012
gptkb:film
|
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gptkbp:author
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gptkb:Alexander_Chekhov
|
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gptkbp:character_development
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gptkb:Dmitri_Gurov
gptkb:Anna_Sergeyevna
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gptkbp:character_relationships
|
Anna's husband
Gurov and Anna
Gurov's wife
|
|
gptkbp:conflict
|
internal conflict
social conflict
|
|
gptkbp:critical_reception
|
well-received
analyzed in literature courses
|
|
gptkbp:cultural_impact
|
influenced writers
adapted into various media
|
|
gptkbp:ends_at
|
ambiguous
|
|
gptkbp:filmography
|
inspired adaptations
inspired directors
|
|
gptkbp:first_published
|
Oskolki
|
|
gptkbp:genre
|
literary fiction
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|
https://www.w3.org/2000/01/rdf-schema#label
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The Lady with the Dog
|
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gptkbp:influence
|
modern literature
|
|
gptkbp:inspiration
|
Chekhov's own life
|
|
gptkbp:language
|
gptkb:Author
|
|
gptkbp:literary_devices
|
gptkb:language
imagery
irony
foreshadowing
|
|
gptkbp:main_character
|
gptkb:Dmitri_Gurov
gptkb:Anna_Sergeyevna
|
|
gptkbp:mood
|
gptkb:melancholic
|
|
gptkbp:motif
|
loneliness
escape
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:notable_quote
|
“ We shall meet again.”
|
|
gptkbp:published_by
|
1899
|
|
gptkbp:publishes
|
gptkb:periodical
|
|
gptkbp:setting
|
gptkb:Yalta
|
|
gptkbp:significance
|
explores human emotions
depicts societal norms
|
|
gptkbp:symbolism
|
the sea
the dog
|
|
gptkbp:theme
|
gptkb:military_operation
love
|
|
gptkbp:viewpoint
|
omniscient
|
|
gptkbp:bfsParent
|
gptkb:Irina_Kupchenko
gptkb:Nikita_Mikhalkov
|
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gptkbp:bfsLayer
|
3
|