|
gptkbp:instance_of
|
gptkb:short_story
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:1998
|
|
gptkbp:adapted_into
|
gptkb:theater
|
|
gptkbp:addresses
|
gender roles
|
|
gptkbp:artistic_legacy
|
a classic of feminist horror.
|
|
gptkbp:author
|
gptkb:Angela_Carter
|
|
gptkbp:character
|
the soldier
|
|
gptkbp:character_arc
|
the soldier's journey
|
|
gptkbp:character_development
|
the vampire's transformation
|
|
gptkbp:character_motivation
|
the vampire's loneliness
|
|
gptkbp:character_relationships
|
vampire and soldier
|
|
gptkbp:character_type
|
anti-heroine
|
|
gptkbp:climax
|
the encounter between the vampire and the soldier
|
|
gptkbp:conflict
|
internal conflict
man vs. self
internal struggle of the vampire
|
|
gptkbp:contains
|
elements of folklore
|
|
gptkbp:critical_reception
|
well-received
|
|
gptkbp:cultural_aspect
|
1970s feminism
|
|
gptkbp:cultural_impact
|
inspired feminist readings
|
|
gptkbp:describes
|
the duality of human nature
|
|
gptkbp:director
|
gptkb:Neil_Jordan
|
|
gptkbp:examines
|
the nature of love
|
|
gptkbp:explores
|
gptkb:identity
|
|
gptkbp:explores_themes
|
the fear of intimacy
|
|
gptkbp:features
|
supernatural elements
vampire character
|
|
gptkbp:first_published
|
gptkb:1979
|
|
gptkbp:genre
|
gptkb:horror
|
|
gptkbp:has_inspired
|
gptkb:various_adaptations
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Lady of the House of Love
|
|
gptkbp:influence
|
feminist literature
|
|
gptkbp:influence_on
|
modern horror fiction
|
|
gptkbp:influenced_artists
|
Angela Carter's body of work
|
|
gptkbp:influenced_by
|
gptkb:Gothic_literature
gptkb:fairy_tales
|
|
gptkbp:influences
|
gptkb:horror_films
gptkb:feminism
|
|
gptkbp:inspiration
|
gptkb:Beauty_and_the_Beast
gptkb:Cinderella
|
|
gptkbp:involves
|
gptkb:transformation
|
|
gptkbp:is_a_subject_of
|
postmodern literature
|
|
gptkbp:is_analyzed_in
|
its psychological depth
|
|
gptkbp:is_characterized_by
|
dark romanticism
|
|
gptkbp:is_featured_in
|
anthologies of horror literature
|
|
gptkbp:is_influenced_by
|
gothic literature
|
|
gptkbp:is_known_for
|
its feminist themes
|
|
gptkbp:is_often_compared_to
|
other works by Angela Carter
|
|
gptkbp:is_often_referenced_in
|
literary critiques.
|
|
gptkbp:is_part_of
|
The Bloody Chamber collection
|
|
gptkbp:is_recognized_as
|
a classic of modern literature
|
|
gptkbp:is_regarded_as
|
a feminist retelling of classic tales
|
|
gptkbp:is_set_in
|
the 20th century
|
|
gptkbp:is_significant_for
|
the study of gender and sexuality in literature
|
|
gptkbp:is_studied_in
|
literary courses
|
|
gptkbp:is_symbolic_of
|
feminine power
|
|
gptkbp:literary_devices
|
foreshadowing
|
|
gptkbp:literary_movement
|
gptkb:postmodernism
magical realism
|
|
gptkbp:main_theme
|
the conflict between desire and fear
|
|
gptkbp:mood
|
gothic
|
|
gptkbp:motif
|
gptkb:blood
love and loss
the duality of love and death
|
|
gptkbp:narrative
|
third-person
non-linear
|
|
gptkbp:narrative_style
|
magical realism
gothic
intertextuality
|
|
gptkbp:narrative_theme
|
the nature of desire
|
|
gptkbp:notable_film
|
gptkb:The_Company_of_Wolves
|
|
gptkbp:notable_speakers
|
societal expectations
|
|
gptkbp:protagonist
|
the Countess
a vampire woman
|
|
gptkbp:published_by
|
gptkb:Gollancz
|
|
gptkbp:published_in
|
gptkb:The_Bloody_Chamber
|
|
gptkbp:published_year
|
gptkb:1979
|
|
gptkbp:reader_demographic
|
varied interpretations
|
|
gptkbp:related_works
|
gptkb:The_Company_of_Wolves
|
|
gptkbp:resolution
|
the fate of the vampire woman
|
|
gptkbp:setting
|
a decaying mansion
dark and eerie
|
|
gptkbp:style
|
lyrical
|
|
gptkbp:symbol
|
the moon
|
|
gptkbp:symbolism
|
gptkb:death
roses
|
|
gptkbp:symbolism_of_death
|
the vampire's existence
|
|
gptkbp:symbolizes
|
female sexuality
|
|
gptkbp:theme
|
vampirism
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:uses
|
imagery
|
|
gptkbp:viewpoint
|
third-person
|
|
gptkbp:writings
|
explores sexuality
|