|
gptkbp:instance_of
|
gptkb:musical
gptkb:ballet
gptkb:opera
gptkb:novel
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:musical
gptkb:ballet
gptkb:La_Traviata
gptkb:television_adaptation
gptkb:opera
gptkb:film
|
|
gptkbp:adaptations
|
gptkb:musical
gptkb:ballet
gptkb:Camille_(film)
gptkb:The_Lady_of_the_Camellias_(film,_1936)
gptkb:The_Lady_of_the_Camellias_(film,_1981)
gptkb:The_Lady_of_the_Camellias_(film,_2005)
gptkb:La_Traviata
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:musical
gptkb:Giorgio_Strehler
gptkb:John_Neumeier
gptkb:Franco_Zeffirelli
gptkb:ballet
gptkb:television_series
gptkb:Robert_Wilson
gptkb:opera
gptkb:Dino_Risi
gptkb:film
various media
various media formats
|
|
gptkbp:adapted_into_opera
|
La Traviata by Verdi
|
|
gptkbp:author
|
gptkb:Alexandre_Dumas_fils
|
|
gptkbp:based_on
|
gptkb:La_Dame_aux_camélias
gptkb:La_Dame_aux_Camélias
gptkb:novel
novel by Alexandre Dumas fils
|
|
gptkbp:character
|
gptkb:Armand_Duval
gptkb:Gaston
gptkb:Prudence
Olympe
Monsieur Duval
|
|
gptkbp:character_development
|
gptkb:Armand_Duval
gptkb:Marguerite_Gautier
gptkb:Prudence
Olympe
Marguerite's transformation
Monsieur Duval
|
|
gptkbp:choreography
|
gptkb:John_Neumeier
gptkb:Michele_Merola
|
|
gptkbp:composer
|
gptkb:Giuseppe_Verdi
|
|
gptkbp:conflict
|
societal norms
|
|
gptkbp:critical_reception
|
gptkb:award
positive
positive reviews
widely acclaimed
|
|
gptkbp:cultural_impact
|
influenced fashion
inspired various adaptations
iconic status
romanticism
inspired various artworks
inspired many adaptations
influenced literature
influenced film adaptations
influenced visual arts
influenced film
influenced music
influenced theater
|
|
gptkbp:depicts
|
the life of a courtesan
|
|
gptkbp:directed_by
|
Francesco Cattaneo
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|
gptkbp:explores
|
themes of love
themes of sacrifice
themes of mortality
themes of redemption
themes of societal expectations
|
|
gptkbp:famous_quote
|
“ I have loved you for a long time.”
|
|
gptkbp:features
|
tragic ending
|
|
gptkbp:features_supporting_character
|
gptkb:Armand_Duval
|
|
gptkbp:film_editing
|
multiple adaptations
|
|
gptkbp:first_performance
|
gptkb:La_Fenice
gptkb:Palermo
1852
|
|
gptkbp:first_published
|
gptkb:Revue_de_Paris
1848
|
|
gptkbp:genre
|
gptkb:Romance
gptkb:drama
gptkb:tragedy
romantic musical
|
|
gptkbp:has_been
|
performed worldwide
translated into English
translated into multiple languages
performed in various languages
adapted into ballets
analyzed by literary critics
adapted numerous times
|
|
gptkbp:has_inspired
|
numerous adaptations
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|
https://www.w3.org/2000/01/rdf-schema#label
|
The Lady of the Camellias
|
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gptkbp:influence
|
gptkb:film_industry
gptkb:cinema
gptkb:theater
gptkb:literature
|
|
gptkbp:influenced
|
gptkb:film_industry
gptkb:theater
gptkb:literature
romantic literature
modern romance literature
modern romantic dramas
|
|
gptkbp:influenced_by
|
gptkb:French_Romanticism
gptkb:La_Traviata
gptkb:La_Dame_aux_Camélias
gptkb:Romanticism
realism
personal experiences of the author
real-life courtesan
|
|
gptkbp:inspiration
|
gptkb:La_Traviata
gptkb:Marie_Duplessis
real-life courtesan
|
|
gptkbp:inspired
|
gptkb:songs
gptkb:literature
gptkb:artworks
gptkb:novels
gptkb:Fashion
musicals
ballet adaptations
|
|
gptkbp:inspired_by
|
real-life courtesan
|
|
gptkbp:is_associated_with
|
the theme of redemption
|
|
gptkbp:is_cited_in
|
academic studies
cultural studies
literary critiques
film critiques
theatrical reviews
literary discussions on love and sacrifice
|
|
gptkbp:is_considered
|
a classic
a classic of French literature
a precursor to modern romantic dramas
|
|
gptkbp:is_famous_for
|
its tragic love story
|
|
gptkbp:is_known_for
|
its emotional depth
tragic ending
|
|
gptkbp:is_part_of
|
French literature canon
|
|
gptkbp:is_recognized_as
|
a significant work in French literature.
|
|
gptkbp:is_regarded_as
|
seminal work
a poignant love story
|
|
gptkbp:is_set_in
|
gptkb:19th_century
the 19th century
|
|
gptkbp:is_studied_in
|
literature courses
|
|
gptkbp:language
|
gptkb:French
gptkb:Italian
|
|
gptkbp:libretto
|
gptkb:Francesco_Maria_Piave
|
|
gptkbp:lyricist
|
Francesco Cattaneo
|
|
gptkbp:main_character
|
gptkb:Armand_Duval
gptkb:Violetta_Valéry
gptkb:Marguerite_Gautier
|
|
gptkbp:motif
|
camellia flower
|
|
gptkbp:music_by
|
gptkb:Frédéric_Chopin
Francesco Cattaneo
|
|
gptkbp:narrative_style
|
realism
first-person
first-person perspective
|
|
gptkbp:notable_aria
|
gptkb:Libiamo_ne'_lieti_calici
|
|
gptkbp:notable_awards
|
gptkb:Olivier_Award
gptkb:Molière_Award
gptkb:award
gptkb:Golden_Mask_Award
gptkb:Tony_Award
gptkb:Emmy_Awards
gptkb:Benois_de_la_Danse
gptkb:Critics'_Circle_Theatre_Award
gptkb:National_Dance_Award
|
|
gptkbp:notable_character
|
gptkb:Armand_Duval
gptkb:Marguerite_Gautier
Monsieur Duval
|
|
gptkbp:notable_performance
|
gptkb:Anna_Netrebko
gptkb:Misty_Copeland
gptkb:Alfredo_Kraus
gptkb:Rudolf_Nureyev
gptkb:Renee_Fleming
gptkb:Richard_Eyre
gptkb:Jules_Massenet
gptkb:Robert_Wilson
gptkb:Maria_Callas
gptkb:Peter_Stein
gptkb:David_Mc_Vicar
|
|
gptkbp:notable_performers
|
gptkb:Elena_Garanca
gptkb:Thomas_Hampson
gptkb:Tamara_Wilson
gptkb:Anna_Caterina_Antonacci
gptkb:Anna_Netrebko
gptkb:Diana_Damrau
gptkb:Joyce_Di_Donato
gptkb:Renata_Tebaldi
gptkb:Anna_Moffo
gptkb:Natalie_Dessay
gptkb:Sophie_Koch
gptkb:Marilyn_Horne
gptkb:Angela_Gheorghiu
gptkb:Elina_Garanca
gptkb:Renée_Fleming
gptkb:Sumi_Jo
gptkb:Roberto_Alagna
gptkb:Sondra_Radvanovsky
gptkb:Nadine_Sierra
gptkb:Renee_Fleming
gptkb:Katherine_Jenkins
gptkb:Plácido_Domingo
gptkb:Luciano_Pavarotti
gptkb:Cecilia_Bartoli
gptkb:Maria_Callas
gptkb:Beverly_Sills
gptkb:Mirella_Freni
gptkb:Ailyn_Pérez
gptkb:Patricia_Racette
gptkb:Christine_Brewer
gptkb:Yvonne_Kenny
gptkb:Kiri_Te_Kanawa
|
|
gptkbp:notable_production
|
gptkb:American_Ballet_Theatre
gptkb:Ballet_de_l'_Opéra_de_Paris
gptkb:Royal_Ballet
gptkb:Paris_Opera_Ballet
gptkb:San_Francisco_Ballet
gptkb:2000_production
2015 revival
2010 revival
2020 production
|
|
gptkbp:notable_quote
|
" Il faut vivre!"
" Addio del passato"
“ I have loved you for a long time.”
" Amami, Alfredo!"
|
|
gptkbp:notable_song
|
Addio del passato
|
|
gptkbp:original_language
|
gptkb:French
|
|
gptkbp:performed_at
|
gptkb:Teatro_alla_Scala
gptkb:Teatro_Massimo
gptkb:Royal_Opera_House
gptkb:Vienna_State_Opera
gptkb:opera
gptkb:Comédie-Française
|
|
gptkbp:performed_by
|
gptkb:Hamburg_Ballet
|
|
gptkbp:performed_in
|
theaters worldwide
theatres worldwide
|
|
gptkbp:portrayed_in
|
gptkb:theater_productions
|
|
gptkbp:premiered_on
|
gptkb:2000
gptkb:Théâtre_de_la_Renaissance
1848
1853
|
|
gptkbp:produced_by
|
gptkb:Teatro_Massimo
|
|
gptkbp:protagonist
|
gptkb:Armand_Duval
|
|
gptkbp:published
|
1848
1852
a play
|
|
gptkbp:published_by
|
gptkb:Michel_Lévy_Frères
|
|
gptkbp:published_in
|
gptkb:Le_Journal_des_Débats
gptkb:Revue_de_Paris
1848
1852
|
|
gptkbp:published_year
|
1848
|
|
gptkbp:set_in
|
gptkb:Paris
|
|
gptkbp:setting
|
gptkb:Paris
|
|
gptkbp:style
|
romantic ballet
|
|
gptkbp:symbolism
|
gptkb:sacrifice
gptkb:red_camellia
camellia flower
white camellia
|
|
gptkbp:theme
|
gptkb:social_class
gptkb:sacrifice
love
|
|
gptkbp:themes
|
gptkb:Love
gptkb:social_class
gptkb:sacrifice
gptkb:tragedy
gptkb:Sacrifice
gptkb:society
love
social status
|
|
gptkbp:title
|
gptkb:La_Dame_aux_camélias
|
|
gptkbp:translated_into
|
English
multiple languages
|
|
gptkbp:written_by
|
gptkb:Alexandre_Dumas_fils
|
|
gptkbp:bfsParent
|
gptkb:Michelle_Yeoh
gptkb:The_New_York_City_Ballet
gptkb:John_Hurt
gptkb:opera
|
|
gptkbp:bfsLayer
|
4
|