|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:1960
gptkb:1970
gptkb:1986
gptkb:2000
gptkb:2012
gptkb:film
|
|
gptkbp:art_movement
|
gptkb:church
|
|
gptkbp:author
|
gptkb:Alexander_Chekhov
|
|
gptkbp:character_development
|
gptkb:Dmitri_Gurov
gptkb:Anna_Sergeyevna
|
|
gptkbp:character_relationships
|
Anna's husband
Gurov and Anna
Gurov's wife
|
|
gptkbp:conflict
|
internal conflict
social conflict
|
|
gptkbp:critical_reception
|
well-received
|
|
gptkbp:cultural_impact
|
widely studied
adapted into various media
|
|
gptkbp:genre
|
gptkb:anthology
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Lady and the Dog
|
|
gptkbp:influence
|
modern literature
short story writers
|
|
gptkbp:inspiration
|
Chekhov's own life
|
|
gptkbp:language
|
gptkb:Author
|
|
gptkbp:main_character
|
gptkb:Dmitri_Gurov
gptkb:Anna_Sergeyevna
|
|
gptkbp:mood
|
gptkb:melancholic
|
|
gptkbp:moral
|
personal freedom
search for happiness
social constraints
consequences of infidelity
complexity of love
|
|
gptkbp:motif
|
disillusionment
escape
|
|
gptkbp:narrative_style
|
gptkb:language
realism
stream of consciousness
episodic
non-linear
foreshadowing
symbolic imagery
characterization
|
|
gptkbp:published_by
|
1899
|
|
gptkbp:setting
|
gptkb:Yalta
gptkb:late_19th_century
|
|
gptkbp:symbolism
|
gptkb:beach
gptkb:dog_breed
|
|
gptkbp:theme
|
gptkb:military_operation
love
|
|
gptkbp:viewpoint
|
third person
|
|
gptkbp:bfsParent
|
gptkb:Men_Without_Women
|
|
gptkbp:bfsLayer
|
4
|