|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Douglas_Sirk
|
|
gptkbp:art_style
|
black and white
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
short story by Alberto Moravia
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography
|
gptkb:Giuseppe_Rotunno
|
|
gptkbp:country
|
gptkb:Italy
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
inspired filmmakers
|
|
gptkbp:directed_by
|
gptkb:Michelangelo_Antonioni
|
|
gptkbp:distributor
|
Titanus
|
|
gptkbp:edited_by
|
Franco Arcalli
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filmography
|
experimental
artistic
|
|
gptkbp:follows
|
gptkb:The_Cry
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Lady Without Camelias
|
|
gptkbp:influenced
|
future Italian cinema
modern art films
|
|
gptkbp:influenced_by
|
gptkb:Italian_neorealism
gptkb:French_New_Wave
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:music_by
|
gptkb:Giorgio_Gaslini
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_appearance
|
the final confrontation
the art gallery scene
|
|
gptkbp:precedes
|
gptkb:Il_Grido
|
|
gptkbp:produced_by
|
gptkb:Dino_De_Laurentiis
|
|
gptkbp:release_date
|
December 1953
|
|
gptkbp:released_in
|
1953
|
|
gptkbp:remake
|
none known
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Michelangelo_Antonioni
|
|
gptkbp:soundtrack
|
jazz influences
|
|
gptkbp:starring
|
gptkb:Lucia_Bosè
gptkb:Franco_Fabrizi
gptkb:Giorgio_Bassani
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:betrayal
love
|