Statements (126)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:poet
|
gptkbp:bfsLayer |
3
|
gptkbp:bfsParent |
gptkb:The_Two_Noble_Kinsmen
|
gptkbp:adaptation |
gptkb:theatre
gptkb:opera gptkb:video_game gptkb:novel gptkb:film musicals graphic novels various films various stage and film adaptations various plays poetic retellings |
gptkbp:author |
gptkb:Geoffrey_Chaucer
|
gptkbp:character |
gptkb:Arcite
gptkb:Palamon Emelye |
gptkbp:character_development |
Arcite's journey
Emelye's role Palamon's growth Arcite's transformation Emelye's agency Emelye's role as a prize |
gptkbp:conflict |
love triangle
love vs. honor |
gptkbp:contains_track |
rhyme royal
|
gptkbp:critical_reception |
widely studied
considered a classic widely studied in literature courses well-regarded |
gptkbp:cultural_impact |
inspired modern retellings
inspired modern works adapted into various artistic forms influenced modern interpretations of chivalry remains a staple in English literature |
gptkbp:cultural_significance |
explores themes of honor and rivalry
|
gptkbp:ends_at |
resolution through a tournament
|
gptkbp:features |
two knights
|
gptkbp:genre |
gptkb:poet
|
gptkbp:historical_context |
gptkb:novel
14th century England reflects medieval values |
https://www.w3.org/2000/01/rdf-schema#label |
The Knight's Tale
|
gptkbp:influence |
gptkb:Shakespeare
gptkb:Tennyson gptkb:novel gptkb:literary_work gptkb:artwork modern fantasy authors influenced the genre of romance |
gptkbp:influenced_by |
gptkb:Boccaccio's_Teseida
|
gptkbp:inspiration |
gptkb:Arthurian_legends
Classical mythology inspired many later works of literature |
gptkbp:language |
English
Middle English |
gptkbp:literary_devices |
gptkb:Person
gptkb:mythological_figure gptkb:literary_work symbolism imagery irony foreshadowing |
gptkbp:main_character |
gptkb:Arcite
gptkb:Palamon Emelye |
gptkbp:moral |
the role of fate in human affairs
the consequences of rivalry the nature of true love |
gptkbp:motif |
gptkb:award
gptkb:Community_Center gptkb:Order gptkb:sports_event divine intervention the wheel of fortune courtly love the nature of love the concept of honor the role of destiny |
gptkbp:narrative_style |
third-person omniscient
frame narrative frame story |
gptkbp:notable_quote |
" For love is a thing that is so strong."
" In love, there is no law." " Love will find a way." " The greatest joy is to love and be loved." " The law of love is above all." " In love, there is no reason." |
gptkbp:part_of |
gptkb:The_Canterbury_Tales
|
gptkbp:plot |
two knights compete for a lady's love
|
gptkbp:published_by |
14th century
15th century circa 1400 |
gptkbp:scholarly_analysis |
character motivations
narrative techniques interpreted through feminist lenses role of fate examined for its portrayal of women depiction of chivalry themes of honor and love analyzed for its themes of masculinity discussed in terms of its historical context studied for its narrative techniques |
gptkbp:setting |
gptkb:Ancient_Greece
|
gptkbp:style |
allegorical
heroic couplets |
gptkbp:symbolism |
gptkb:the_hawk
the rose the arena the garden the tournament the prison the rose as a symbol of love the temple of Venus the arena as a symbol of fate |
gptkbp:theme |
gptkb:chivalry
love |
gptkbp:themes |
gptkb:award
gptkb:Community_Center gptkb:Order gptkb:sports_event gptkb:chivalry love |
gptkbp:written_by |
gptkb:Geoffrey_Chaucer
|
gptkbp:written_in |
Middle English
|