|
gptkbp:instance_of
|
gptkb:novel
gptkb:play
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:John_Barry
|
|
gptkbp:adaptation
|
gptkb:1965
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:film
original script
|
|
gptkbp:associated_with
|
gptkb:Swinging_London
|
|
gptkbp:author
|
gptkb:David_Nobbs
|
|
gptkbp:awards
|
gptkb:award
gptkb:Best_Actor
gptkb:Best_Actress
gptkb:Best_Screenplay
gptkb:Palme_d'_Or
Best British Film
|
|
gptkbp:based_on
|
The Knack and How to Get It (play)
|
|
gptkbp:box_office
|
£1 million
|
|
gptkbp:budget
|
£200,000
|
|
gptkbp:cast
|
gptkb:Michael_Crawford
gptkb:Ray_Brooks
gptkb:Rita_Tushingham
gptkb:Dudley_Sutton
|
|
gptkbp:character
|
gptkb:Tommy
gptkb:Nancy
gptkb:Terry
Colin
the Girl
|
|
gptkbp:character_development
|
Colin's journey
|
|
gptkbp:conflict
|
personal relationships
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
influenced British comedy
influenced comedy writing
|
|
gptkbp:died_in
|
2000s
|
|
gptkbp:directed_by
|
gptkb:Richard_Lester
|
|
gptkbp:director
|
gptkb:Richard_Lester
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:followed_by
|
gptkb:The_Fall_and_Rise_of_Reginald_Perrin
|
|
gptkbp:follows
|
a group of friends
The Knack and How to Get It (novel)
|
|
gptkbp:genre
|
gptkb:musical
romance
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Knack and How to Get It
|
|
gptkbp:influenced
|
later playwrights
|
|
gptkbp:influenced_by
|
gptkb:theatre_of_the_absurd
British humor
1960s counterculture
absurdist theatre
|
|
gptkbp:inspired_by
|
social commentary
real-life experiences
|
|
gptkbp:isbn
|
978-0-340-00112-0
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
gptkb:musical
gptkb:church
gptkb:comic_book
gptkb:language
irony
point of view
pacing
symbolic elements
theme exploration
characterization
motif exploration
|
|
gptkbp:main_character
|
Colin
|
|
gptkbp:motif
|
love and relationships
|
|
gptkbp:music_by
|
gptkb:John_Barry
|
|
gptkbp:narrative_style
|
satirical
|
|
gptkbp:notable_character
|
gptkb:Donal_Donnelly
gptkb:Michael_Crawford
gptkb:Ray_Brooks
gptkb:Rita_Tushingham
|
|
gptkbp:notable_production
|
gptkb:The_Dublin_Theatre_Festival
gptkb:The_Gate_Theatre
gptkb:Royal_Court_Theatre
gptkb:The_London_Festival_of_Theatre
gptkb:The_Lyric_Hammersmith
gptkb:The_Old_Vic
gptkb:The_Traverse_Theatre
gptkb:The_Birmingham_Rep
gptkb:The_Brighton_Festival
gptkb:The_Bush_Theatre
gptkb:The_National_Theatre
gptkb:The_Royal_Exchange_Theatre
gptkb:The_Edinburgh_International_Festival
gptkb:The_Manchester_International_Festival
gptkb:The_Edinburgh_Festival_Fringe
gptkb:The_Galway_Arts_Festival
gptkb:The_Belfast_Festival_at_Queen's
|
|
gptkbp:official_language
|
English
|
|
gptkbp:page_count
|
224
|
|
gptkbp:performed_by
|
gptkb:West_End
|
|
gptkbp:premiered_on
|
gptkb:1962
|
|
gptkbp:produced_by
|
gptkb:John_Boorman
|
|
gptkbp:published_by
|
gptkb:Samuel_French
|
|
gptkbp:published_year
|
gptkb:1968
|
|
gptkbp:publisher
|
gptkb:Hodder_&_Stoughton
|
|
gptkbp:release_date
|
April 1965
|
|
gptkbp:release_year
|
gptkb:1965
|
|
gptkbp:released
|
gptkb:1965
|
|
gptkbp:runtime
|
85 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Charles_Wood
|
|
gptkbp:set_in
|
gptkb:Borough
|
|
gptkbp:setting
|
gptkb:Borough
1960s
|
|
gptkbp:starring
|
gptkb:Michael_Crawford
gptkb:Ray_Brooks
gptkb:Rita_Tushingham
|
|
gptkbp:style
|
farce
humorous
|
|
gptkbp:symbolism
|
the knack
|
|
gptkbp:theme
|
self-discovery
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:Community_Center
romance
youth culture
sexual relationships
male-female dynamics
|
|
gptkbp:writer
|
gptkb:David_Nobbs
|
|
gptkbp:written_by
|
Ann Jellicoe
|