Statements (50)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
painting
|
| gptkbp:artist |
gptkb:Egon_Schiele
|
| gptkbp:artMovement |
Modernism
|
| gptkbp:artwork |
gptkb:German_Expressionism
gptkb:Austrian_Expressionism alienation early 20th century emotional intensity color contrast human connection modern love expressive lines dynamic arrangement significant in art history influential in modern art intense emotion abstract elements story of love layered paint kissing figures passionate embrace personal interpretation of love important_work_in_Schiele's_oeuvre |
| gptkbp:collection |
private collections
|
| gptkbp:colors |
vivid colors
|
| gptkbp:critical_reception |
mixed reviews
|
| gptkbp:culturalHeritage |
gptkb:post-World_War_I_Austria
early 20th century art movements |
| gptkbp:culturalSignificance |
depicts love and passion
|
| gptkbp:dimensions |
90 cm × 70 cm
|
| gptkbp:exhibits |
shown in various exhibitions
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Kiss (Schiele)
|
| gptkbp:influence |
Austrian_art
|
| gptkbp:influenced |
contemporary artists
|
| gptkbp:influencedBy |
gptkb:Vincent_van_Gogh
Fauvism Symbolism |
| gptkbp:inspiredBy |
personal relationships
|
| gptkbp:location |
gptkb:Leopold_Museum
|
| gptkbp:medium |
oil on canvas
|
| gptkbp:notableFeature |
gptkb:Vienna_Secession
distorted forms |
| gptkbp:style |
Expressionism
figurative art |
| gptkbp:subject |
intimacy
|
| gptkbp:symbolism |
union of lovers
|
| gptkbp:symbolizes |
eroticism
|
| gptkbp:technique |
impasto
bold brushwork |
| gptkbp:yearEstablished |
1917
|