|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
surreal
|
|
gptkbp:based_on
|
novel by John Banville
|
|
gptkbp:box_office
|
$1.2 million
|
|
gptkbp:budget
|
gptkb:$5_million
|
|
gptkbp:character
|
gptkb:Catherine
gptkb:David
gptkb:John
gptkb:Maggie
|
|
gptkbp:cinematography
|
gptkb:Roger_Pratt
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
cult following
film studies
academic analysis
|
|
gptkbp:directed_by
|
gptkb:Nicolas_Roeg
|
|
gptkbp:distributor
|
gptkb:Lions_Gate_Entertainment
|
|
gptkbp:edited_by
|
gptkb:John_Gilbert
|
|
gptkbp:film_festival
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:Ireland
|
|
gptkbp:filmography
|
gptkb:literary_work
symbolism
flashbacks
dream sequences
visual motifs
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Kiss (2000)
|
|
gptkbp:influences
|
gptkb:French_New_Wave
gptkb:book
gptkb:film
psychological thriller
European cinema
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:David_Arnold
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:premiere
|
gptkb:2000_Toronto_International_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Nicolas_Roeg
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
September 8, 2000
|
|
gptkbp:released_in
|
gptkb:2000
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Nicolas_Roeg
|
|
gptkbp:soundtrack
|
gptkb:musical
|
|
gptkbp:starring
|
gptkb:David_O'_Hara
gptkb:Samantha_Mumba
gptkb:Maggie_O'_Neill
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:betrayal
gptkb:loss
love
redemption
|
|
gptkbp:bfsParent
|
gptkb:Marlene_Dumas:_The_White_Woman
|
|
gptkbp:bfsLayer
|
5
|