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gptkbp:instance_of
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gptkb:novel
gptkb:play
gptkb:film
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gptkbp:adaptation
|
gptkb:animated_film
not adapted into film
The King of Elfland's Second Son (film)
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gptkbp:adaptation_year
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gptkb:1975
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gptkbp:adaptations
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none known
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gptkbp:antagonist
|
the forces of reality
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gptkbp:author
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gptkb:Lord_Dunsany
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gptkbp:based_on
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The King of Elfland's Second Son (novel)
novel by Lord Dunsany
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gptkbp:box_office
|
$10 million
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gptkbp:character
|
gptkb:The_Giant
gptkb:the_Witch
gptkb:The_Prince_of_Elfland
gptkb:the_King_of_Elfland
gptkb:The_Witch
gptkb:Lirazel
gptkb:The_King_of_Elfland
gptkb:The_Lord_of_Elfland
The Dwarf
The Fairy
The Elf
the Princess
the Lord of the Hills
the Old Man of the Hills
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gptkbp:character_development
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Alveric's growth throughout the story
Alveric's journey of self-discovery
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gptkbp:cinematography_by
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gptkb:Dariusz_Wolski
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gptkbp:conflict
|
Alveric's choices between worlds
Alveric's quest for love
Alveric vs. the constraints of reality
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gptkbp:country
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gptkb:United_States
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gptkbp:critical_reception
|
positive
generally positive
well-received
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gptkbp:cultural_impact
|
influenced modern fantasy authors
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gptkbp:cultural_influence
|
inspired fantasy literature
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gptkbp:directed_by
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gptkb:Henry_Selick
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gptkbp:director
|
gptkb:Peter_S._Beagle
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gptkbp:distributor
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gptkb:Lionsgate
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gptkbp:edited_by
|
gptkb:Joe_Walker
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gptkbp:first_edition
|
1924 edition
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gptkbp:first_performance
|
1924
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gptkbp:followed_by
|
gptkb:The_Last_Book_of_Wonder
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gptkbp:genre
|
gptkb:fantasy
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The King of Elfland's Second Son
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gptkbp:illustrator
|
gptkb:Charles_E._Brock
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gptkbp:influenced
|
subsequent fantasy literature
subsequent fantasy authors
the works of J. R. R. Tolkien
the works of Neil Gaiman
the development of high fantasy
the fantasy genre as a whole
the works of Brandon Sanderson
the works of C. S. Lewis
the works of David Eddings
the works of George R. R. Martin
the works of Michael Moorcock
the works of Patrick Rothfuss
the works of Terry Brooks
the works of Ursula K. Le Guin
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gptkbp:influenced_by
|
gptkb:Romanticism
gptkb:mythology
gptkb:fairy_tales
|
|
gptkbp:influences
|
gptkb:J._R._R._Tolkien
|
|
gptkbp:inspiration
|
gptkb:Celtic_mythology
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|
gptkbp:inspired
|
various adaptations in other media
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gptkbp:isbn
|
978-1-84749-045-0
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gptkbp:language
|
English
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|
gptkbp:length
|
approximately 200 pages
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gptkbp:literary_significance
|
pioneering work in fantasy genre
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gptkbp:main_character
|
gptkb:Alveric
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|
gptkbp:motif
|
the passage of time
the passage between worlds
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gptkbp:music_by
|
gptkb:Carter_Burwell
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gptkbp:narrative
|
third-person omniscient
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gptkbp:narrative_style
|
lyrical
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gptkbp:notable_quote
|
" The world is a strange place."
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gptkbp:notable_work
|
Lord Dunsany's fantasy literature
|
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gptkbp:plot
|
Alveric's journey to win Lirazel's love
a quest for love and identity
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|
gptkbp:premiere
|
gptkb:Sundance_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Lionsgate
|
|
gptkbp:production_company
|
gptkb:Shadow_Machine
|
|
gptkbp:protagonist
|
gptkb:Alveric
|
|
gptkbp:published
|
1924
|
|
gptkbp:published_in
|
1924
|
|
gptkbp:publisher
|
gptkb:Hodder_&_Stoughton
|
|
gptkbp:release_year
|
gptkb:2023
|
|
gptkbp:runtime
|
95 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Henry_Selick
|
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gptkbp:setting
|
gptkb:Elfland
a mythical realm
richly imagined world
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|
gptkbp:setting_time
|
early 20th century
|
|
gptkbp:starring
|
gptkb:James_Mc_Avoy
gptkb:Laura_Bailey
gptkb:Tilda_Swinton
gptkb:Chris_Pine
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gptkbp:style
|
poetic prose
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gptkbp:symbol
|
Elfland as a representation of dreams
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gptkbp:symbolism
|
the duality of existence
the journey to Elfland
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gptkbp:theme
|
the nature of love
the search for belonging
the conflict between reality and fantasy
the clash of worlds
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|
gptkbp:visual_effects
|
gptkb:Industrial_Light_&_Magic
|
|
gptkbp:written_by
|
gptkb:Lord_Dunsany
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gptkbp:bfsParent
|
gptkb:Lord_Dunsany
gptkb:The_Queen_of_Air_and_Darkness
|
|
gptkbp:bfsLayer
|
5
|