|
gptkbp:instance_of
|
gptkb:film_score
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
|
|
gptkbp:adapted_into
|
gptkb:Anna_and_the_King_of_Siam
|
|
gptkbp:awards
|
gptkb:Academy_Award_for_Best_Original_Song
|
|
gptkbp:based_on
|
The King and I (musical)
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|
gptkbp:composed_by
|
gptkb:Richard_Rodgers
|
|
gptkbp:cultural_impact
|
influenced musical theatre
|
|
gptkbp:cultural_significance
|
gptkb:historical_context
feminist themes
representation of Asian characters
exploration of East-West relations
impact on Broadway history
|
|
gptkbp:features
|
orchestral arrangements
|
|
gptkbp:first_performance
|
1951
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|
gptkbp:genre
|
gptkb:musical_theatre
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The King and I (film score)
|
|
gptkbp:influenced
|
modern musical theatre composers
film scores of the 1950s
subsequent musical scores
|
|
gptkbp:influenced_by
|
British colonialism
Thai culture
Asian musical traditions
Western musical traditions
|
|
gptkbp:inspired_by
|
biography of Anna Leonowens
|
|
gptkbp:lyricist
|
gptkb:Oscar_Hammerstein_II
|
|
gptkbp:notable_production
|
gptkb:2000_Broadway_revival
2015 Broadway revival
1956 film adaptation
|
|
gptkbp:notable_song
|
gptkb:Shall_We_Dance?
Getting to Know You
Hello, Young Lovers
I Whistle a Happy Tune
|
|
gptkbp:original_language
|
English
|
|
gptkbp:performed_at
|
gptkb:Lincoln_Center
gptkb:The_Kennedy_Center
gptkb:Royal_Albert_Hall
gptkb:The_Muny
|
|
gptkbp:performed_by
|
gptkb:Yul_Brynner
gptkb:Deborah_Kerr
|
|
gptkbp:record_label
|
gptkb:RCA_Victor
|
|
gptkbp:recordings
|
multiple cast recordings
|
|
gptkbp:released_in
|
1951
|
|
gptkbp:revival
|
Broadway revivals
|
|
gptkbp:set_in
|
gptkb:Siam
|
|
gptkbp:themes
|
gptkb:cultural_exchange
gptkb:colonialism
love
tradition vs modernity
|
|
gptkbp:bfsParent
|
gptkb:Elmer_Bernstein
|
|
gptkbp:bfsLayer
|
4
|