gptkbp:instance_of
|
gptkb:musical
|
gptkbp:bfsLayer
|
3
|
gptkbp:bfsParent
|
gptkb:The_King_and_I
|
gptkbp:adapted_into
|
gptkb:Anna_and_the_King_of_Siam
|
gptkbp:artist
|
Richard Rodgers and Oscar Hammerstein II
|
gptkbp:audience
|
Theatergoers
|
gptkbp:based_on
|
The King and I (musical)
|
gptkbp:box_office
|
Successful run
|
gptkbp:character_appearance
|
gptkb:Catherine_Zuber
|
gptkbp:choreography
|
gptkb:Christopher_Gattelli
|
gptkbp:critical_reception
|
Positive reviews
|
gptkbp:design
|
gptkb:Michael_Yeargan
|
gptkbp:directed_by
|
gptkb:Bartlett_Sher
|
gptkbp:features
|
dance numbers
|
gptkbp:follows
|
gptkb:Anna_Leonowens
|
gptkbp:has_theme
|
gptkb:Cultural_exchange
gptkb:Colonialism
Love and sacrifice
Gender roles
Tradition vs. modernity
|
https://www.w3.org/2000/01/rdf-schema#label
|
The King and I (2015 Broadway revival)
|
gptkbp:inspired_by
|
gptkb:Memoirs_of_the_King_of_Siam
|
gptkbp:legacy
|
gptkb:Cultural_impact
|
gptkbp:lighting
|
gptkb:Donald_Holder
|
gptkbp:music_by
|
gptkb:Oscar_Hammerstein_II
gptkb:Richard_Rodgers
|
gptkbp:music_style
|
gptkb:Ted_Sperling
|
gptkbp:notable_inductees
|
Best Revival of a Musical
Best Performance by a Leading Actress in a Musical
Best Orchestrations
Best Performance by a Featured Actor in a Musical
Best Costume Design of a Musical
Best Lighting Design of a Musical
Best Scenic Design of a Musical
|
gptkbp:number_of_stages
|
gptkb:David_A._B._Smith
|
gptkbp:opened
|
June 26, 2016
|
gptkbp:orchestration
|
Bill Elliott and Doug Besterman
|
gptkbp:performed_by
|
gptkb:Vivian_Beaumont_Theater
|
gptkbp:premiered_on
|
April 16, 2015
|
gptkbp:produced_by
|
gptkb:Lincoln_Center_Theater
|
gptkbp:producer
|
Various countries
|
gptkbp:received
|
gptkb:award
|
gptkbp:set_in
|
gptkb:Siam
|
gptkbp:sound
|
gptkb:Scott_Lehrer
|
gptkbp:starring
|
gptkb:Ken_Watanabe
gptkb:Kelli_O'_Hara
|
gptkbp:tour
|
National tour
|