|
gptkbp:instance_of
|
gptkb:novel
gptkb:song
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:N._K._Jemisin
|
|
gptkbp:adaptation
|
gptkb:none
|
|
gptkbp:album
|
gptkb:Ocean_Rain
|
|
gptkbp:artist
|
gptkb:Echo_&_the_Bunnymen
|
|
gptkbp:associated_act
|
gptkb:Echo_&_the_Bunnymen
|
|
gptkbp:author
|
gptkb:N._K._Jemisin
|
|
gptkbp:awards
|
gptkb:Locus_Award_for_Best_Fantasy_Novel
|
|
gptkbp:character_arc
|
Ehiru's journey
Hanani's growth
Narin's struggle
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:chart_position
|
#9 UK Singles Chart
|
|
gptkbp:conflict
|
personal and political
|
|
gptkbp:covered_by
|
gptkb:by_The_Killers
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
featured in films and TV shows
|
|
gptkbp:cultural_significance
|
examines societal norms
challenges stereotypes
explores identity
|
|
gptkbp:driving_side
|
gptkb:The_Yo-Yo_Man
|
|
gptkbp:follows
|
gptkb:The_Shadowed_Sun
|
|
gptkbp:genre
|
gptkb:Magic:_The_Gathering_set
post-punk
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Killing Moon
|
|
gptkbp:impact
|
influenced other authors
inspired discussions on race
sparked interest in fantasy genre
|
|
gptkbp:influenced_by
|
gptkb:The_Doors
gptkb:The_Velvet_Underground
gptkb:David_Bowie
|
|
gptkbp:influences
|
gptkb:historical_figure
African culture
gothic rock
|
|
gptkbp:inspiration
|
gptkb:historical_event
gptkb:The_Moon
personal beliefs
N. K. Jemisin's experiences
|
|
gptkbp:is_featured_in
|
gptkb:The_Sopranos
gptkb:Donnie_Darko
gptkb:television_series
gptkb:The_100
gptkb:The_Last_of_Us_Part_II
gptkb:The_Walking_Dead
gptkb:The_Vampire_Diaries
gptkb:The_Umbrella_Academy
gptkb:The_Office_(US)
|
|
gptkbp:isbn
|
978-0316192020
|
|
gptkbp:label
|
gptkb:Korova_Records
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
5:50
|
|
gptkbp:live_performance
|
frequently performed
|
|
gptkbp:main_character
|
Narin
Ehiru
Hanani
|
|
gptkbp:motif
|
gptkb:festival
gptkb:Saint
nightmares
|
|
gptkbp:music_style
|
alternative rock
|
|
gptkbp:music_video
|
gptkb:battle
|
|
gptkbp:narrative_style
|
immersive
third-person
character-driven
richly detailed
|
|
gptkbp:notable_cover
|
gptkb:The_Killers
|
|
gptkbp:notable_song
|
“ The killing moon”
“ Under blue moon I saw you”
“ You’ll see me soon”
|
|
gptkbp:page_count
|
400
|
|
gptkbp:plot
|
explores themes of justice
features a conflict between characters
involves a ritualistic murder
|
|
gptkbp:producer
|
gptkb:David_Bates
|
|
gptkbp:published_by
|
gptkb:2012
|
|
gptkbp:publisher
|
gptkb:Orbit_Books
|
|
gptkbp:reader_demographic
|
adult
|
|
gptkbp:recording_location
|
gptkb:Amazon_Studios
|
|
gptkbp:release_format
|
7-inch single
|
|
gptkbp:release_year
|
gptkb:1984
|
|
gptkbp:remastered
|
gptkb:battle
|
|
gptkbp:series
|
Dreamblood
|
|
gptkbp:setting
|
mythical world
the city of Gujaareh
|
|
gptkbp:style
|
lyrical
|
|
gptkbp:symbolism
|
gptkb:planet
gptkb:festival
gptkb:cemetery
|
|
gptkbp:theme
|
gptkb:Order
|
|
gptkbp:themes
|
gptkb:superhero
gptkb:cemetery
morality
romanticism
|
|
gptkbp:writer
|
gptkb:Ian_Mc_Culloch
|