|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:AFI's_100_Years...100_Thrills_nominee
|
true
|
|
gptkbp:authorOfSourceMaterial
|
gptkb:Lionel_White
|
|
gptkbp:basedOn
|
Clean Break (novel)
|
|
gptkbp:blackAndWhite
|
true
|
|
gptkbp:budget
|
$320,000
|
|
gptkbp:cinematography
|
gptkb:Lucien_Ballard
|
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
|
gptkbp:criticalReception
|
acclaimed
|
|
gptkbp:director
|
gptkb:Stanley_Kubrick
|
|
gptkbp:distributor
|
gptkb:United_Artists
|
|
gptkbp:editingBy
|
Betty Steinberg
|
|
gptkbp:genre
|
crime film
film noir
horror film
|
|
gptkbp:homeMediaRelease
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Killing (1956)
|
|
gptkbp:influenced
|
gptkb:Reservoir_Dogs
gptkb:Quentin_Tarantino
|
|
gptkbp:language
|
English
|
|
gptkbp:musicBy
|
gptkb:Gerald_Fried
|
|
gptkbp:narrator
|
gptkb:Art_Gilmore
|
|
gptkbp:notableFor
|
nonlinear narrative
early Stanley Kubrick film
influence on later heist films
|
|
gptkbp:plotSummary
|
A veteran criminal plans a final heist at a racetrack, but things go awry.
|
|
gptkbp:producer
|
gptkb:James_B._Harris
|
|
gptkbp:releaseDate
|
1956-06-06
|
|
gptkbp:restored
|
gptkb:The_Criterion_Collection
|
|
gptkbp:RottenTomatoesScore
|
96%
|
|
gptkbp:runtime
|
85 minutes
|
|
gptkbp:screenwriter
|
gptkb:Stanley_Kubrick
gptkb:Jim_Thompson
|
|
gptkbp:setIn
|
gptkb:United_States
|
|
gptkbp:starring
|
gptkb:Elisha_Cook_Jr.
gptkb:Marie_Windsor
gptkb:Vince_Edwards
gptkb:Sterling_Hayden
gptkb:Coleen_Gray
gptkb:Jay_C._Flippen
|
|
gptkbp:studio
|
Harris-Kubrick Pictures Corporation
|
|
gptkbp:bfsParent
|
gptkb:Jay_Adler
|
|
gptkbp:bfsLayer
|
7
|