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gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Duke
|
|
gptkbp:artist
|
gptkb:John_T._Chambers
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
gptkb:The_Feather_Men
gptkb:novel
The novel ' The Feather Men' by Sir Ranulph Fiennes
|
|
gptkbp:box_office
|
$10 million
|
|
gptkbp:budget
|
gptkb:$5_million
$4 million
|
|
gptkbp:character
|
gptkb:Kurtz
gptkb:Bobby_Hargrove
gptkb:George_Hansen
gptkb:Mike_Locken
gptkb:Mason
|
|
gptkbp:character_appearance
|
gptkb:Marlene_Stewart
|
|
gptkbp:cinematography
|
gptkb:Lucien_Ballard
gptkb:Harry_Stradling_Jr.
|
|
gptkbp:color
|
gptkb:color
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
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|
gptkbp:cultural_impact
|
cult following
|
|
gptkbp:design
|
gptkb:Robert_F._Boyle
|
|
gptkbp:directed_by
|
gptkb:Sam_Peckinpah
|
|
gptkbp:director
|
gptkb:Robert_F._Boyle
gptkb:Sam_Peckinpah
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
gptkb:Gordon_D._Brenner
|
|
gptkbp:editor
|
gptkb:Gordon_D._Brenner
|
|
gptkbp:features
|
action sequences
|
|
gptkbp:film_festival
|
gptkb:none
|
|
gptkbp:film_series
|
gptkb:none
|
|
gptkbp:filming_location
|
gptkb:California
|
|
gptkbp:filmography
|
gptkb:Gordon_D._Brenner
|
|
gptkbp:followed_by
|
gptkb:none
|
|
gptkbp:follows
|
a group of assassins
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|
gptkbp:genre
|
gptkb:musical
gptkb:film
|
|
gptkbp:has_cameo
|
gptkb:none
|
|
gptkbp:has_character
|
gptkb:Bobby
gptkb:The_Boss
gptkb:The_Client
gptkb:The_Mentor
gptkb:The_Traitor
gptkb:George_Hansen
gptkb:Kwan
gptkb:Mike_Locken
gptkb:The_Traitor's_Ally
gptkb:The_Target
gptkb:Mason
gptkb:The_Colonel
gptkb:The_Protector
gptkb:The_Assassin
gptkb:The_Informant
gptkb:The_Spy
gptkb:The_Witness
gptkb:Kathy
gptkb:The_Bodyguard
The Hitman
The Rival
The Partner
The Handler
The Double Agent
The Government Agent
The Undercover Agent
The Crime Boss
Mr. H
The Assassin's Partner
The Assassin's Target
The Handler's Assistant
The Informant's Contact
The Mentor's Apprentice
The Partner's Contact
The Rival's Associate
The Spy's Handler
The Target's Protector
The Witness's Advocate
|
|
gptkbp:has_setting
|
gptkb:Borough
gptkb:Middle_East
gptkb:Los_Angeles
gptkb:Monarch
gptkb:San_Francisco
|
|
gptkbp:has_theme
|
gptkb:betrayal
gptkb:loyalty
gptkb:revenge
gptkb:Police_Department
espionage
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Killer Elite
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|
gptkbp:influences
|
gptkb:none
|
|
gptkbp:inspired_by
|
gptkb:none
|
|
gptkbp:language
|
English
|
|
gptkbp:music
|
gptkb:Jerry_Fielding
|
|
gptkbp:music_by
|
gptkb:Jerry_Fielding
|
|
gptkbp:plot
|
A former assassin is drawn back into the world of contract killing.
|
|
gptkbp:produced_by
|
Martin Baum
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
|
|
gptkbp:release_date
|
gptkb:1975
August 1975
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:released_in
|
gptkb:1975
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:runtime
|
123 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Sterling_Silliphant
|
|
gptkbp:set_in
|
1970s
|
|
gptkbp:soundtrack
|
gptkb:Jerry_Fielding
|
|
gptkbp:starring
|
gptkb:Robert_Duvall
gptkb:James_Caan
gptkb:Bo_Hopkins
gptkb:Arthur_Hill
|
|
gptkbp:trivia
|
It explores themes of loyalty and betrayal.
It was one of Sam Peckinpah's later films.
The film's title refers to elite assassins.
The film features a mix of action and psychological elements.
James Caan and Robert Duvall had previously worked together.
|
|
gptkbp:visual_effects
|
gptkb:none
|