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gptkbp:instance_of
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gptkb:film
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|
gptkbp:based_on
|
real events
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|
gptkbp:box_office
|
$1.2 million
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|
gptkbp:cinematography_by
|
Gérard de Battista
|
|
gptkbp:contains
|
gptkb:humor
|
|
gptkbp:country
|
gptkb:France
|
|
gptkbp:depicts
|
fictional kidnapping
|
|
gptkbp:directed_by
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gptkb:Guillaume_Nicloux
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|
gptkbp:distributor
|
Pyramide Distribution
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|
gptkbp:edited_by
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Marie-Hélène Dozo
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|
gptkbp:features
|
gptkb:satire
|
|
gptkbp:follows
|
Michel Houellebecq's life
|
|
gptkbp:genre
|
gptkb:comedy
gptkb:drama
|
|
gptkbp:has_theme
|
gptkb:cultural_identity
gptkb:betrayal
gptkb:existentialism
gptkb:loss
gptkb:loyalty
gptkb:politics
gptkb:literature
gptkb:absurdism
gptkb:deception
gptkb:friendship
gptkb:identity
gptkb:memory
gptkb:networking
gptkb:community
gptkb:trust
gptkb:transformation
gptkb:philosophy
gptkb:rebellion
gptkb:society
love
freedom
self-awareness
self-reflection
alienation
personal growth
relationships
hope
artistic expression
cynicism
isolation
grief
individualism
nostalgia
redemption
self-discovery
forgiveness
moral dilemmas
self-esteem
truth
regret
self-acceptance
consequences
conformity
cultural commentary
self-identity
existential crisis
self-worth
human condition
self-actualization
search for meaning
despair
self-fulfillment
self-perception
disconnection
life choices
media critique
self-image
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Kidnapping of Michel Houellebecq
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|
gptkbp:influenced_by
|
Michel Houellebecq's works
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|
gptkbp:language
|
gptkb:French
|
|
gptkbp:music_by
|
gptkb:Melanie_Thierry
|
|
gptkbp:premiered_on
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Les_Films_du_Worso
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|
gptkbp:released_in
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gptkb:2014
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gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
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gptkb:Guillaume_Nicloux
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|
gptkbp:starring
|
gptkb:Anaïs_Demoustier
gptkb:Mathieu_Amalric
gptkb:Michel_Houellebecq
|
|
gptkbp:bfsParent
|
gptkb:Benoît_Poelvoorde
gptkb:the_2014_Cannes_Film_Festival
|
|
gptkbp:bfsLayer
|
5
|