|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:character
|
Keystone Kops
|
|
gptkbp:character_type
|
comedic characters
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|
gptkbp:cinematography_by
|
H. W. H.
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced comedy films
|
|
gptkbp:directed_by
|
gptkb:Paul_L._Stein
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|
gptkbp:distributor
|
gptkb:Pathé_Exchange
|
|
gptkbp:edited_by
|
M. S. M.
|
|
gptkbp:film_technique
|
gptkb:narrative_structure
gptkb:ensemble_cast
social commentary
physical comedy
comic timing
visual gags
slapstick humor
character-driven humor
fast-paced editing
improvised dialogue
character archetypes
chase sequences
absurd situations
over-the-top performances
physical stunts
exaggerated actions
sight gags
parody of law enforcement
|
|
gptkbp:filming_location
|
gptkb:California
|
|
gptkbp:follows
|
gptkb:The_Keystone_Kops
|
|
gptkbp:genre
|
gptkb:comedy
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Keystone Kops in the Air
|
|
gptkbp:influenced_by
|
silent film era
|
|
gptkbp:inspired_by
|
real police antics
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
L. M. D.
|
|
gptkbp:notable_actor
|
gptkb:Bobby_Dunn
gptkb:Alice_Howell
gptkb:Ford_Sterling
gptkb:Mabel_Normand
|
|
gptkbp:notable_scene
|
airplane chase
|
|
gptkbp:part_of_series
|
Keystone Kops
|
|
gptkbp:precedes
|
gptkb:The_Kops'_Last_Stand
|
|
gptkbp:produced_by
|
gptkb:Mack_Sennett
|
|
gptkbp:production_company
|
gptkb:Keystone_Studios
|
|
gptkbp:release_date
|
August 1920
|
|
gptkbp:release_year
|
gptkb:1920
|
|
gptkbp:runtime
|
22 minutes
|
|
gptkbp:screenplay_by
|
gptkb:unknown
|
|
gptkbp:starring
|
gptkb:Bobby_Dunn
gptkb:Alice_Howell
gptkb:Ford_Sterling
gptkb:Mabel_Normand
|
|
gptkbp:theme
|
slapstick comedy
|
|
gptkbp:video_output
|
gptkb:film
|
|
gptkbp:bfsParent
|
gptkb:Mack_Sennett_Comedies
|
|
gptkbp:bfsLayer
|
6
|