|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:addresses
|
Justice system issues
|
|
gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_Cinematography
Nominated for Academy Award for Best Costume Design
|
|
gptkbp:based_on
|
gptkb:The_Turn_of_the_Screw
|
|
gptkbp:box_office
|
$2.5 million
|
|
gptkbp:budget
|
$1.1 million
|
|
gptkbp:challenges
|
Perceptions of justice
|
|
gptkbp:character
|
gptkb:physicist
gptkb:Miss_Jessel
gptkb:Peter_Quint
gptkb:Miles
gptkb:Miss_Giddens
|
|
gptkbp:cinematography
|
gptkb:Freddie_Francis
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
cult classic
|
|
gptkbp:cultural_impact
|
influenced horror films
|
|
gptkbp:directed_by
|
gptkb:Jack_Clayton
|
|
gptkbp:director
|
gptkb:Jack_Clayton
|
|
gptkbp:editor
|
gptkb:George_Tomasini
|
|
gptkbp:exhibited_at
|
Art galleries
International venues
|
|
gptkbp:explores
|
Wrongful convictions
|
|
gptkbp:features
|
Portraits of exonerated individuals
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:London_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:England
|
|
gptkbp:genre
|
gptkb:film
|
|
gptkbp:has_genre
|
psychological thriller
|
|
gptkbp:has_impact_on
|
Public awareness
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Innocents
|
|
gptkbp:includes
|
Textual narratives
|
|
gptkbp:influence
|
psychological horror
|
|
gptkbp:inspiration
|
gptkb:Henry_James
|
|
gptkbp:is_a
|
gptkb:film_series
|
|
gptkbp:is_analyzed_in
|
Art critiques
|
|
gptkbp:is_available_in
|
Gallery exhibitions
|
|
gptkbp:is_available_on
|
Limited edition prints
|
|
gptkbp:is_cited_in
|
Academic studies
|
|
gptkbp:is_considered
|
A significant work
|
|
gptkbp:is_discussed_in
|
Art publications
|
|
gptkbp:is_documented_in
|
Art catalogs
Art reviews
|
|
gptkbp:is_evaluated_by
|
gptkb:battle
|
|
gptkbp:is_explored_in
|
Interviews
|
|
gptkbp:is_part_of
|
Cultural discourse
Artistic legacy.
Artistic commentary on society
Taryn Simon's body of work
|
|
gptkbp:is_recognized_by
|
gptkb:literary_work
|
|
gptkbp:is_supported_by
|
Grants
|
|
gptkbp:language
|
English
|
|
gptkbp:music
|
gptkb:Walter_Scott
|
|
gptkbp:notable_quote
|
“ I want to see you, Miles.”
“ They are not what they seem.”
“ You mustn't be afraid.”
|
|
gptkbp:production_company
|
gptkb:20th_Century_Fox
|
|
gptkbp:published_by
|
gptkb:2016
|
|
gptkbp:release_date
|
gptkb:1961
1988-03-14
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1961
|
|
gptkbp:released_in
|
gptkb:1961
|
|
gptkbp:remake
|
gptkb:The_Turning
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:John_Mortimer
William Archibald
|
|
gptkbp:setting
|
a country estate
|
|
gptkbp:starring
|
gptkb:Martin_Stephens
gptkb:Deborah_Kerr
gptkb:Pamela_Franklin
|
|
gptkbp:themes
|
gptkb:historical_event
innocence
supernatural
|
|
gptkbp:bfsParent
|
gptkb:Léa_Seydoux
gptkb:Lou_de_Laâge
|
|
gptkbp:bfsLayer
|
3
|