|
gptkbp:instance_of
|
gptkb:opera
gptkb:play
|
|
gptkbp:adaptation
|
The Indian Queen (opera)
|
|
gptkbp:adaptations
|
Various productions
|
|
gptkbp:adapted_into
|
gptkb:musical
gptkb:film
|
|
gptkbp:audience
|
Varied audience reactions
|
|
gptkbp:author
|
gptkb:Aphra_Behn
|
|
gptkbp:based_on
|
The Indian Queen (play)
|
|
gptkbp:characters
|
Queen, King, and various warriors
|
|
gptkbp:composer
|
gptkb:Henry_Purcell
|
|
gptkbp:critical_reception
|
Mixed reviews at premiere
|
|
gptkbp:cultural_impact
|
Influence on later operas
|
|
gptkbp:cultural_references
|
Referenced in literature and media
|
|
gptkbp:cultural_significance
|
Exploration of colonial themes
explores colonial themes
|
|
gptkbp:director
|
Various directors in revivals
|
|
gptkbp:first_performance
|
1664
1703
|
|
gptkbp:genre
|
gptkb:tragedy
Baroque opera
|
|
gptkbp:historical_context
|
Late 17th century England
|
|
gptkbp:historical_figures
|
Inspired by real historical figures
|
|
gptkbp:historical_interpretation
|
Contemporary adaptations
|
|
gptkbp:historical_legacy
|
Continues to be studied and performed.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Indian Queen
|
|
gptkbp:influenced_artists
|
Other operas by Purcell
|
|
gptkbp:influenced_by
|
gptkb:Spanish_conquest_of_the_Aztec_Empire
Spanish drama
|
|
gptkbp:influences
|
European opera traditions
|
|
gptkbp:inspiration
|
Colonial narratives
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
Part of the operatic canon
|
|
gptkbp:librettist
|
gptkb:John_Dryden
|
|
gptkbp:main_character
|
gptkb:Alonso
Amanuensis
Orazia
Zempoalla
Zempoala
|
|
gptkbp:music_style
|
Dramatic music
Melodic and harmonic complexity
|
|
gptkbp:notable_aria
|
' The Queen's Song'
|
|
gptkbp:notable_collaborators
|
Collaborators of Purcell
|
|
gptkbp:notable_performances
|
Key performances in history
|
|
gptkbp:notable_performers
|
Various opera singers
|
|
gptkbp:notable_quote
|
" The Indian Queen is a tragedy of love and war."
|
|
gptkbp:notable_scene
|
Dramatic confrontations
|
|
gptkbp:number_of_acts
|
2
|
|
gptkbp:orchestration
|
Strings and continuo
|
|
gptkbp:original_language
|
English
|
|
gptkbp:performance
|
Performed in various opera houses
|
|
gptkbp:performance_tradition
|
Baroque performance practice
|
|
gptkbp:premiere
|
1695
|
|
gptkbp:premiere_location
|
gptkb:Duke's_Theatre
|
|
gptkbp:published_by
|
gptkb:Henry_Herringman
|
|
gptkbp:published_in
|
1664
|
|
gptkbp:recordings
|
Multiple audio recordings available
|
|
gptkbp:revival
|
gptkb:20th_century
|
|
gptkbp:scholarly_analysis
|
Extensive academic studies
|
|
gptkbp:setting
|
gptkb:New_Spain
gptkb:New_World
gptkb:India
|
|
gptkbp:style
|
blank verse
|
|
gptkbp:theater
|
gptkb:Dorset_Garden_Theatre
|
|
gptkbp:thematic_element
|
Love and conflict
|
|
gptkbp:theme
|
gptkb:betrayal
gptkb:colonialism
gptkb:war
love
power dynamics
Heroism and sacrifice
|
|
gptkbp:themes
|
Power and betrayal
|
|
gptkbp:written_by
|
gptkb:John_Dryden
|
|
gptkbp:bfsParent
|
gptkb:Henry_Purcell
|
|
gptkbp:bfsLayer
|
5
|