|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:authorOfSourceMaterial
|
gptkb:Walter_Tevis
|
|
gptkbp:basedOn
|
gptkb:The_Hustler_(novel)
|
|
gptkbp:blackAndWhite
|
true
|
|
gptkbp:boxOfficeGross
|
$7.6 million (US/Canada rentals)
|
|
gptkbp:cinematography
|
gptkb:Eugen_Schüfftan
|
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
|
gptkbp:director
|
gptkb:Robert_Rossen
|
|
gptkbp:distributor
|
gptkb:Twentieth_Century_Fox
|
|
gptkbp:editingBy
|
gptkb:Dede_Allen
|
|
gptkbp:genre
|
drama
sports
sports drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Hustler (1961 film)
|
|
gptkbp:language
|
English
|
|
gptkbp:mainCharacter
|
gptkb:Bert_Gordon
gptkb:Eddie_Felson
gptkb:Minnesota_Fats
gptkb:Sarah_Packard
|
|
gptkbp:musicBy
|
gptkb:Kenyon_Hopkins
|
|
gptkbp:nominatedFor
|
gptkb:Best_Art_Direction-Set_Decoration,_Black-and-White
gptkb:Best_Film_Editing
gptkb:Best_Actor_(Paul_Newman)
gptkb:Best_Picture
gptkb:Best_Director
Best Sound
Best Screenplay – Based on Material from Another Medium
Best Actress (Piper Laurie)
Best Supporting Actor (George C. Scott)
Best Supporting Actor (Jackie Gleason)
Best Cinematography, Black-and-White
|
|
gptkbp:notableFor
|
Paul Newman's performance
influence on pool culture
depiction of pool hustling
|
|
gptkbp:preservationYear
|
1997
|
|
gptkbp:preservedIn
|
gptkb:United_States_National_Film_Registry
|
|
gptkbp:producer
|
gptkb:Robert_Rossen
|
|
gptkbp:productionCompany
|
gptkb:Twentieth_Century_Fox
|
|
gptkbp:releaseDate
|
September 25, 1961
|
|
gptkbp:runtime
|
134 minutes
|
|
gptkbp:screenwriter
|
gptkb:Robert_Rossen
gptkb:Sidney_Carroll
|
|
gptkbp:sequel
|
gptkb:The_Color_of_Money_(1986_film)
|
|
gptkbp:setting
|
gptkb:New_York_City
|
|
gptkbp:starring
|
gptkb:Paul_Newman
gptkb:Jackie_Gleason
gptkb:George_C._Scott
gptkb:Piper_Laurie
|
|
gptkbp:subject
|
pool (cue sports)
|
|
gptkbp:bfsParent
|
gptkb:The_Hustler_(novel_by_Walter_Tevis)
|
|
gptkbp:bfsLayer
|
6
|