gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
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3
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gptkbp:bfsParent
|
gptkb:film_festival
gptkb:Angela_White
gptkb:Berlin_International_Film_Festival
gptkb:Vancouver_International_Film_Festival
gptkb:Kathryn_Bigelow
gptkb:Toronto_International_Film_Festival
gptkb:Nashville_Film_Festival
gptkb:Summit_Entertainment
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gptkbp:aspect_ratio
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2.35:1
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gptkbp:awards
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gptkb:BAFTA_Award_for_Best_Editing
gptkb:BAFTA_Award_for_Best_Film
gptkb:National_Board_of_Review_Award_for_Best_Director
gptkb:National_Board_of_Review_Award_for_Best_Film
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Academy_Award_for_Best_Director
gptkb:Academy_Award_for_Best_Film_Editing
gptkb:Academy_Award_for_Best_Original_Screenplay
gptkb:Academy_Award_for_Best_Picture
gptkb:Academy_Award_for_Best_Sound_Editing
gptkb:Critics'_Choice_Movie_Award_for_Best_Picture
gptkb:Directors_Guild_of_America_Award_for_Outstanding_Directorial_Achievement_in_Feature_Film
gptkb:BAFTA_Award_for_Best_Director
gptkb:BAFTA_Award_for_Best_Sound
gptkb:Critics'_Choice_Movie_Award_for_Best_Director
gptkb:Academy_Award_for_Best_Sound_Mixing
gptkb:Academy_Award_for_Best_Visual_Effects
gptkb:Critics'_Choice_Movie_Award_for_Best_Editing
6 Academy Awards
9 Academy Awards
AFI Awards, USA for Movie of the Year
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gptkbp:box_office
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$49 million
49 million USD
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gptkbp:budget
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15 million USD
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gptkbp:cast
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gptkb:Guy_Pearce
gptkb:Katherine_Waterston
gptkb:Ralph_Fiennes
gptkb:Christian_Camargo
gptkb:David_Morse
gptkb:Jeremy_Renner
gptkb:Freddie_Stroma
gptkb:Anthony_Mackie
gptkb:Brian_Geraghty
gptkb:Evgeny_Afineevsky
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gptkbp:character
|
gptkb:Sanborn
gptkb:William_James
gptkb:Evelyn
gptkb:Owen_Eldridge
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gptkbp:cinematography
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gptkb:Barry_Ackroyd
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gptkbp:color
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gptkb:color
|
gptkbp:country
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gptkb:United_States
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gptkbp:critical_reception
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Highly acclaimed
Positive
highly acclaimed
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gptkbp:cultural_impact
|
influenced war films
Influenced war films
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gptkbp:directed_by
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gptkb:Kathryn_Bigelow
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gptkbp:distributor
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gptkb:Summit_Entertainment
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gptkbp:edited_by
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gptkb:Bob_Murawski
gptkb:Gregory_Plotkin
gptkb:Chris_Innis
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gptkbp:features
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gptkb:Jeremy_Renner
gptkb:Anthony_Mackie
gptkb:Brian_Geraghty
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gptkbp:features_character
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gptkb:Sanborn
gptkb:William_James
gptkb:Evelyn
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gptkbp:film_festival
|
gptkb:film_festival
gptkb:Toronto_International_Film_Festival
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gptkbp:film_series
|
gptkb:CEO
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gptkbp:filming_location
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gptkb:Los_Angeles
gptkb:Monarch
gptkb:Politician
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gptkbp:focus
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gptkb:Sanborn
gptkb:William_James
Eldridge
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gptkbp:genre
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gptkb:High_School
gptkb:war
War film
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gptkbp:home_media_release
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gptkb:DJ
gptkb:film
Digital download
January 12, 2010
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https://www.w3.org/2000/01/rdf-schema#label
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The Hurt Locker
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gptkbp:influenced_by
|
real-life experiences of soldiers
Real-life bomb disposal units
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gptkbp:inspired_by
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Mark Boal's experiences
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gptkbp:language
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English
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gptkbp:music_by
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gptkb:Marco_Beltrami
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gptkbp:narrative_style
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bomb disposal team
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gptkbp:notable_quote
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You’re not going to die.
It’s about the thrill of war.
I’m not sure I can go back.
The bomb is the only thing that matters.
The rush of battle is a potent and intoxicating experience.
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gptkbp:plot
|
A bomb disposal team in Iraq faces the psychological and emotional toll of war.
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gptkbp:premiere
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gptkb:Toronto_International_Film_Festival
|
gptkbp:premiered_on
|
gptkb:Venice_Film_Festival_2008
|
gptkbp:produced_by
|
gptkb:Greg_Shapiro
gptkb:Kathryn_Bigelow
gptkb:Mark_Boal
gptkb:Greggory_Jacobs
|
gptkbp:production_company
|
gptkb:Voltage_Pictures
gptkb:Summit_Entertainment
|
gptkbp:rating
|
gptkb:R
|
gptkbp:release_date
|
June 26, 2009
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gptkbp:release_format
|
Theatrical release
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gptkbp:released
|
gptkb:2008
June 26, 2009
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gptkbp:released_in
|
gptkb:2008
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gptkbp:runtime
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131 minutes
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gptkbp:screenplay_by
|
gptkb:Mark_Boal
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gptkbp:sequel
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The Hurt Locker 2 (unofficial)
|
gptkbp:set_in
|
gptkb:Iraq_War
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gptkbp:starring
|
gptkb:David_Morse
gptkb:Jeremy_Renner
gptkb:Anthony_Mackie
gptkb:Simone_Kessell
gptkb:Brian_Geraghty
|
gptkbp:theme
|
the psychological effects of war
|
gptkbp:themes
|
gptkb:military_unit
gptkb:Survival
gptkb:Courage
Addiction
War's psychological effects
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gptkbp:written_by
|
gptkb:Mark_Boal
|