Properties (57)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
film
|
| gptkbp:availableIn |
Blu-ray
DVD |
| gptkbp:basedOn |
non-fiction book
|
| gptkbp:boxOffice |
$1.5 million
|
| gptkbp:character |
villain.
informant. supporting agent. FBI_agent. Nazi_spy. |
| gptkbp:characterDevelopment |
focuses on the protagonist's transformation.
|
| gptkbp:cinematographyBy |
gptkb:Sidney_Wagner
|
| gptkbp:country |
gptkb:United_States
|
| gptkbp:criticalReception |
mixed reviews.
|
| gptkbp:culturalImpact |
considered a classic of the genre.
|
| gptkbp:directedBy |
gptkb:Henry_Hathaway
|
| gptkbp:editedBy |
gptkb:James_B._Clark
|
| gptkbp:features |
a dramatic climax.
a famous chase scene. |
| gptkbp:filmingLocation |
New_York_City.
|
| gptkbp:genre |
drama
crime thriller |
| gptkbp:hasAwards |
none.
original score. background music. musical score. orchestral arrangement. theme song. |
| gptkbp:hasGoals |
none.
|
| https://www.w3.org/2000/01/rdf-schema#label |
The House on 92nd Street
|
| gptkbp:influenced |
subsequent spy films.
|
| gptkbp:influencedBy |
the film noir style.
the wartime propaganda. real-life_events_during_World_War_II. |
| gptkbp:inspiration |
future espionage films.
|
| gptkbp:language |
English
|
| gptkbp:musicBy |
gptkb:David_Buttolph
|
| gptkbp:notableFeature |
the final confrontation.
the opening sequence. |
| gptkbp:notableFor |
being one of the first films to use documentary-style techniques.
|
| gptkbp:plot |
Follows_an_FBI_agent_infiltrating_a_Nazi_spy_ring.
|
| gptkbp:producedBy |
20th Century Fox
|
| gptkbp:releaseDate |
April 1945
|
| gptkbp:releasedIn |
1945
|
| gptkbp:remake |
The_House_on_92nd_Street_(1950)
|
| gptkbp:runtime |
85 minutes
|
| gptkbp:screenplayBy |
gptkb:Charles_G._Booth
|
| gptkbp:starring |
gptkb:Ludwig_Donath
gptkb:William_Eythe gptkb:Gene_Lockhart Signe Hasso |
| gptkbp:theme |
sacrifice.
deception. patriotism. loyalty and betrayal. the impact of war. |