|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Du_Bose_Heyward
|
|
gptkbp:adaptation
|
gptkb:musical
|
|
gptkbp:character
|
African American women
African American men
|
|
gptkbp:conflict
|
class struggle
racial tension
gender conflict
|
|
gptkbp:critical_reception
|
well-received
|
|
gptkbp:cultural_significance
|
explores African American experiences
|
|
gptkbp:first_performance
|
gptkb:1920
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:historical_context
|
gptkb:political_movement
gptkb:Great_Migration
post-World War I America
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The House of Bondage
|
|
gptkbp:influenced
|
modern theater
subsequent African American playwrights
|
|
gptkbp:influenced_by
|
African American literature
feminist literature
|
|
gptkbp:influences
|
gptkb:Harlem_Renaissance
|
|
gptkbp:inspired_by
|
personal experiences of the author
|
|
gptkbp:is_available_in
|
anthologies
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
contributed to discussions on race and gender
important work in African American theater
inspired future generations of playwrights
|
|
gptkbp:motif
|
community support
resilience
family dynamics
|
|
gptkbp:notable_character
|
gptkb:Mabel
gptkb:Mrs._Johnson
Mr. Johnson
|
|
gptkbp:performance
|
performed in various theaters
|
|
gptkbp:performed_by
|
various theater companies
|
|
gptkbp:published_by
|
gptkb:Doubleday
1913
|
|
gptkbp:setting
|
gptkb:United_States
|
|
gptkbp:style
|
naturalism
realism
|
|
gptkbp:symbolism
|
bondage as oppression
freedom as aspiration
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:political_movement
empowerment
gender roles
racial identity
struggle for rights
|
|
gptkbp:written_by
|
gptkb:Alice_Dunbar-Nelson
|