|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adaptations
|
gptkb:film_adaptation
gptkb:ballet
gptkb:opera
gptkb:film
|
|
gptkbp:author
|
gptkb:Federico_García_Lorca
|
|
gptkbp:characters
|
gptkb:Martirio
gptkb:Bernarda_Alba
gptkb:Amelia
gptkb:Pepe_el_Romano
Magdalena
Adela
Angustias
La Poncia
|
|
gptkbp:conflict
|
gptkb:social_class
family dynamics
desire vs. repression
|
|
gptkbp:critical_reception
|
widely acclaimed
performed internationally
studied in schools
|
|
gptkbp:cultural_impact
|
gptkb:theatrical_performances
gptkb:feminism
Spanish culture
performed worldwide
studied in literature courses
influenced feminist theatre
|
|
gptkbp:cultural_significance
|
gptkb:Spanish_Civil_War
women's rights
social critique
|
|
gptkbp:first_performance
|
1936
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The House of Bernarda Alba
|
|
gptkbp:influence
|
gptkb:theater
gptkb:Spanish_literature
|
|
gptkbp:inspiration
|
family dynamics
Spanish society
Lorca's life experiences
|
|
gptkbp:language
|
gptkb:Spanish
|
|
gptkbp:legacy
|
performed worldwide
adapted into various media
influenced playwrights
|
|
gptkbp:notable_characters
|
gptkb:Martirio
gptkb:Amelia
gptkb:Pepe_el_Romano
Magdalena
Adela
Angustias
La Poncia
|
|
gptkbp:number_of_acts
|
gptkb:3
|
|
gptkbp:premiere_date
|
1936-04-08
|
|
gptkbp:premiere_location
|
gptkb:Teatro_Beatriz
|
|
gptkbp:protagonist
|
gptkb:Bernarda_Alba
|
|
gptkbp:setting
|
rural Spain
|
|
gptkbp:style
|
realism
tragic
symbolism
|
|
gptkbp:symbolism
|
the moon
the horse
house as a prison
color white
the stick
|
|
gptkbp:themes
|
gptkb:social_class
gptkb:oppression
freedom
gender roles
female identity
|
|
gptkbp:written_by
|
gptkb:Federico_García_Lorca
|
|
gptkbp:bfsParent
|
gptkb:Federico_García_Lorca
gptkb:Javier_Bardem
|
|
gptkbp:bfsLayer
|
4
|