|
gptkbp:instance_of
|
gptkb:book
|
|
gptkbp:adaptation
|
film rights sold
|
|
gptkbp:author
|
gptkb:J._D._Vance
|
|
gptkbp:awards
|
New York Times Bestseller
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
positive reviews
|
|
gptkbp:genre
|
gptkb:Historical_Society
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The House That Pain Built
|
|
gptkbp:influenced_by
|
gptkb:physicist
gptkb:historical_event
gptkb:American_Dream
gptkb:psychologist
gptkb:Educational_Institution
gptkb:organization
economics
history
mental health
hope
community support
substance abuse
personal experiences
resilience
struggle
community issues
regional identity
family dynamics
work ethic
race relations
working-class struggles
class issues
|
|
gptkbp:influences
|
gptkb:education
gptkb:organization
socioeconomic status
|
|
gptkbp:isbn
|
978-0062469192
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:J._D._Vance
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:notable_quote
|
" The past is never dead. It’s not even past."
" You can’t understand the world until you understand your own family."
|
|
gptkbp:page_count
|
272
|
|
gptkbp:published_by
|
gptkb:Harper_Collins
|
|
gptkbp:published_year
|
gptkb:2016
|
|
gptkbp:related_works
|
gptkb:Hillbilly_Elegy
gptkb:Educated
gptkb:The_Glass_Castle
gptkb:The_Color_of_Law
gptkb:The_Other_Wes_Moore
|
|
gptkbp:setting
|
gptkb:Appalachia
|
|
gptkbp:target_audience
|
general public
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:family
poverty
|
|
gptkbp:bfsParent
|
gptkb:Killing_Joke
|
|
gptkbp:bfsLayer
|
5
|