|
gptkbp:instance_of
|
gptkb:novel
gptkb:play
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:The_Hours_(stage_play)
gptkb:radio_station
gptkb:theater
gptkb:drama
gptkb:theatrical_performances
gptkb:film
gptkb:stage_play
gptkb:The_Hours_(film)
Virginia Woolf's Mrs. Dalloway
|
|
gptkbp:adaptations
|
Julianne Moore's portrayal of Laura Brown
Meryl Streep's portrayal of Clarissa Vaughan
Nicole Kidman's portrayal of Virginia Woolf
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:author
|
gptkb:Michael_Cunningham
|
|
gptkbp:awards
|
gptkb:literary_award
gptkb:Pen/_Faulkner_Award
gptkb:Stonewall_Book_Award
gptkb:Pulitzer_Prize
gptkb:Screen_Actors_Guild_Award
gptkb:James_Tait_Black_Memorial_Prize
gptkb:PEN/_Faulkner_Award
gptkb:BAFTA_Awards
gptkb:Golden_Globe_Award
Best Actress (Nicole Kidman)
|
|
gptkbp:based_on
|
gptkb:The_Hours_(novel)
Novel by Michael Cunningham
novel by Michael Cunningham
|
|
gptkbp:box_office
|
$25 million
$63 million
$107 million
$56 million
|
|
gptkbp:budget
|
$25 million
|
|
gptkbp:cast
|
gptkb:Stephen_Daldry
|
|
gptkbp:character
|
gptkb:Nurse
gptkb:Billy
gptkb:Kitty
gptkb:Mr._Brown
gptkb:Clarissa_Dalloway
gptkb:Virginia_Woolf
gptkb:Dan_Brown
gptkb:Leonard_Woolf
gptkb:Hugh_Whitbread
gptkb:Julia
gptkb:Clarissa_Vaughan
gptkb:Mabel
gptkb:Mrs._Brown
gptkb:Danielle
gptkb:Mrs._Woolf
gptkb:Laura_Brown
gptkb:Richard_Brown
gptkb:Dan
gptkb:Nina
gptkb:Mr._Whitbread
Dr. Bradshaw
Kitty Brown
Mrs. Mc Nab
|
|
gptkbp:character_development
|
gptkb:complex
interpersonal relationships
complex characters
female protagonists
Clarissa Vaughan's reflections on love and loss
Laura Brown's search for fulfillment
Virginia Woolf's struggles with mental health
|
|
gptkbp:character_relationships
|
Clarissa and Richard
Laura and her son
Virginia and Leonard Woolf
Clarissa Vaughan and Richard Brown
Laura Brown and her son
Virginia Woolf and Leonard Woolf
|
|
gptkbp:cinematography
|
gptkb:Seamus_Mc_Garvey
|
|
gptkbp:cinematography_by
|
gptkb:Roger_Deakins
gptkb:Robert_Elswit
gptkb:Seamus_Mc_Garvey
|
|
gptkbp:costume_design
|
gptkb:Ann_Roth
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_artist
|
gptkb:David_A._Johnson
|
|
gptkbp:critical_analysis
|
exploration of existential themes
depiction of domestic life
representation of women's experiences
|
|
gptkbp:critical_reception
|
Positive
acclaimed
positive
generally positive
|
|
gptkbp:cultural_impact
|
gptkb:literary_analysis
feminist literary criticism
feminist discourse
widely studied in literature courses
influenced literature
inspired discussions on mental health
discussions on mental health
influenced film
influenced theater
discussed in feminist literature
influenced contemporary authors
inspired feminist readings
inspired feminist discourse
Referenced in popular culture.
inspired academic essays
Analyzed in film studies.
analyzed in film studies
discussed in literary studies
explored themes of mental health
explored in feminist literature
adapted into stage play
Referenced in other films
examined the role of women in society
inspired discussions on women's rights
Discussed in feminist literature.
Adapted into stage play
exploration of LGBTQ themes
inspired discussions on suicide prevention
Studied in psychology.
Adapted into stage play.
Discussed in literature classes
influenced subsequent literature
|
|
gptkbp:design
|
gptkb:Gemma_Jackson
|
|
gptkbp:directed_by
|
gptkb:Stephen_Daldry
|
|
gptkbp:director
|
gptkb:Stephen_Daldry
gptkb:David_Hare
|
|
gptkbp:distributor
|
gptkb:Paramount_Pictures
|
|
gptkbp:edited_by
|
gptkb:John_Bloom
gptkb:John_Gregory
gptkb:Michael_Kahn
gptkb:Peter_Boyle
gptkb:Michael_Ellis
|
|
gptkbp:explores
|
gptkb:feminism
mental health
the passage of time
the role of women in society
Themes of love
Themes of time
Themes of mental illness
the impact of literature
|
|
gptkbp:explores_themes
|
gptkb:feminism
Mental Health
Existentialism
Suicide
|
|
gptkbp:features
|
gptkb:Julianne_Moore
gptkb:Meryl_Streep
gptkb:Virginia_Woolf
gptkb:Nicole_Kidman
gptkb:Clarissa_Vaughan
gptkb:Laura_Brown
Multiple Storylines
|
|
gptkbp:features_character
|
gptkb:Virginia_Woolf
gptkb:Clarissa_Vaughan
gptkb:Laura_Brown
|
|
gptkbp:features_song
|
gptkb:Philip_Glass
|
|
gptkbp:film
|
gptkb:Julianne_Moore
gptkb:Meryl_Streep
gptkb:Nicole_Kidman
|
|
gptkbp:film_adaptation_released_year
|
gptkb:2002
|
|
gptkbp:film_awards
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Drama
gptkb:Academy_Award_for_Best_Actress
gptkb:Screen_Actors_Guild_Award_for_Outstanding_Performance_by_a_Cast_in_a_Motion_Picture
BAFTA Award for Best Adapted Screenplay
|
|
gptkbp:film_editing
|
gptkb:Stephen_Daldry
gptkb:2002
gptkb:Alexandra_Stroud
|
|
gptkbp:film_festival
|
gptkb:Berlin_International_Film_Festival
gptkb:Sundance_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:film_score
|
gptkb:Philip_Glass
|
|
gptkbp:filming_location
|
gptkb:Connecticut
gptkb:London
gptkb:Los_Angeles
gptkb:New_York_City
|
|
gptkbp:genre
|
gptkb:Philip_Glass
gptkb:Fiction
gptkb:drama
Literary fiction
literary fiction
|
|
gptkbp:has_cameo
|
gptkb:Claire_Danes
gptkb:Stephen_Daldry
gptkb:Margo_Martindale
gptkb:Jeff_Daniels
gptkb:John_C._Reilly
gptkb:Eileen_Atkins
gptkb:Toni_Collette
|
|
gptkbp:has_editing_by
|
gptkb:John_Gilbert
|
|
gptkbp:has_genre
|
gptkb:Romance
gptkb:biography
gptkb:drama
|
|
gptkbp:has_language
|
English
|
|
gptkbp:has_rating
|
7.5/10
|
|
gptkbp:has_soundtrack
|
gptkb:2002
|
|
gptkbp:has_theme
|
gptkb:Virginia_Woolf
gptkb:Clarissa_Vaughan
gptkb:Laura_Brown
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Hours
|
|
gptkbp:influenced
|
Cultural studies
Film studies
Literary criticism
Gender studies
Contemporary literature
Narrative theory
Adaptation studies
|
|
gptkbp:influenced_by
|
gptkb:Mrs._Dalloway
gptkb:Modernist_literature
gptkb:Postmodern_literature
gptkb:The_Great_Gatsby
gptkb:The_Waves
gptkb:Virginia_Woolf
gptkb:To_the_Lighthouse
gptkb:The_Hours_(novel)
modernist literature
stream of consciousness technique
The Waves by Virginia Woolf
historical context of the 1920s
modernist themes
Virginia Woolf's Mrs. Dalloway
Virginia Woolf's life
feminist movements of the late 20th century
Mrs. Dalloway by Virginia Woolf
To the Lighthouse by Virginia Woolf
|
|
gptkbp:influences
|
gptkb:Mrs._Dalloway
gptkb:Virginia_Woolf
gptkb:To_the_Lighthouse
gptkb:The_Hours_(film)
Existentialism
Feminist literature
Psychological fiction
postmodern literature
modern literature
feminist literature
modernist literature
Virginia Woolf's life
|
|
gptkbp:inspired_by
|
gptkb:Mrs._Dalloway
The Hours (novel) by Michael Cunningham
Virginia Woolf's writings
The life of Virginia Woolf
The lives of women in different eras.
|
|
gptkbp:is_based_on
|
Novel by Michael Cunningham
Mrs. Dalloway by Virginia Woolf
|
|
gptkbp:is_distributed_by
|
gptkb:Paramount_Pictures
|
|
gptkbp:is_set_in
|
Three different time periods
|
|
gptkbp:isbn
|
978-0375702418
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
gptkb:metaphor
flashbacks
imagery
metafiction
allusion
motif of letters
symbolism of clocks
|
|
gptkbp:main_character
|
gptkb:Virginia_Woolf
gptkb:Clarissa_Vaughan
gptkb:Laura_Brown
|
|
gptkbp:main_theme
|
gptkb:Depression
gptkb:depression
gptkb:identity
gptkb:feminism
Suicide
|
|
gptkbp:makeup_artist
|
gptkb:Nick_Dudman
|
|
gptkbp:motif
|
gptkb:letters
gptkb:music
flowers
|
|
gptkbp:music_by
|
gptkb:Philip_Glass
|
|
gptkbp:narrative
|
gptkb:2001
1923
1951
third-person
Non-linear
multiple perspectives
non-linear
third-person omniscient
Multiple perspectives
interconnected stories
multi-perspective
interwoven narratives
|
|
gptkbp:narrative_style
|
stream of consciousness
multiple perspectives
flashbacks
intertextuality
|
|
gptkbp:nominated_for
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Drama
gptkb:Academy_Award_for_Best_Actress
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Original_Score
gptkb:Academy_Award_for_Best_Picture
gptkb:Academy_Award_for_Best_Supporting_Actor
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_-Drama
gptkb:Academy_Awards
|
|
gptkbp:notable_actor
|
gptkb:Claire_Danes
gptkb:Julianne_Moore
gptkb:Meryl_Streep
gptkb:Stephen_Dillane
gptkb:Margo_Martindale
gptkb:Nicole_Kidman
gptkb:Jeff_Daniels
gptkb:John_C._Reilly
gptkb:Ed_Harris
gptkb:Lindsay_Duncan
gptkb:Eileen_Atkins
gptkb:Miranda_Richardson
gptkb:Toni_Collette
|
|
gptkbp:notable_awards
|
gptkb:Tony_Award_for_Best_Play
gptkb:Olivier_Award_for_Best_New_Play
gptkb:Drama_Desk_Award_for_Outstanding_Play
|
|
gptkbp:notable_production
|
gptkb:Broadway
West End production
|
|
gptkbp:notable_quote
|
“ There is no greater agony than bearing an untold story inside you.”
“ We are all just a little bit mad.”
“ The only way to deal with the future is to be in it.”
“ There are still a few hours left.”
|
|
gptkbp:page_count
|
229
|
|
gptkbp:performance_style
|
realism
psychological drama
|
|
gptkbp:premiere
|
gptkb:New_York_City
gptkb:New_York_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:2002
gptkb:New_York_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Scott_Rudin
|
|
gptkbp:production_company
|
gptkb:Paramount_Pictures
gptkb:Scott_Rudin_Productions
gptkb:Mirage_Enterprises
|
|
gptkbp:protagonist
|
gptkb:Virginia_Woolf
gptkb:Clarissa_Vaughan
gptkb:Laura_Brown
|
|
gptkbp:published
|
gptkb:1998
|
|
gptkbp:published_by
|
gptkb:Farrar,_Straus_and_Giroux
|
|
gptkbp:published_in
|
gptkb:1998
gptkb:2002
|
|
gptkbp:published_year
|
gptkb:1998
|
|
gptkbp:publisher
|
gptkb:Farrar,_Straus_and_Giroux
|
|
gptkbp:rating
|
PG-13
|
|
gptkbp:received
|
Critical acclaim
Critical Acclaim
|
|
gptkbp:related_to
|
gptkb:Modernism
gptkb:Postmodernism
|
|
gptkbp:release_date
|
December 27, 2002
December 10, 2002
January 17, 2003
|
|
gptkbp:release_year
|
gptkb:2002
gptkb:2019
The Hours (play)
|
|
gptkbp:released
|
gptkb:2002
|
|
gptkbp:released_in
|
gptkb:2002
|
|
gptkbp:runtime
|
101 minutes
114 minutes
|
|
gptkbp:screening_at
|
gptkb:Sundance_Film_Festival
|
|
gptkbp:screenings
|
Digital
digital
35mm
|
|
gptkbp:screenplay
|
The Hours by Michael Cunningham
|
|
gptkbp:screenplay_by
|
gptkb:David_Hare
|
|
gptkbp:set_in
|
gptkb:2001
gptkb:Los_Angeles
gptkb:New_York_City
gptkb:2001_New_York_City
1920s
1923
1950s
1951
early 20th century
1950s America
modern day
Virginia Woolf's life
Virginia Woolf's time
|
|
gptkbp:setting
|
gptkb:London
gptkb:Los_Angeles
gptkb:New_York_City
Virginia Woolf's life
|
|
gptkbp:soundtrack
|
gptkb:The_Hours_(soundtrack_album)
|
|
gptkbp:stage_play_adaptation_author
|
gptkb:Kevin_Murphy
|
|
gptkbp:starring
|
gptkb:Julianne_Moore
gptkb:Meryl_Streep
gptkb:Nicole_Kidman
|
|
gptkbp:structure
|
three interwoven stories
|
|
gptkbp:symbolism
|
gptkb:death
gptkb:identity
gptkb:time
flowers
the letter
the clock
the hours
|
|
gptkbp:theme
|
gptkb:Mental_health
gptkb:Time
gptkb:identity
gptkb:time
gptkb:feminism
Suicide
mental health
suicide
mental illness
|
|
gptkbp:themes
|
gptkb:Mental_health
gptkb:depression
gptkb:identity
gptkb:feminism
Existentialism
Suicide
suicide
mental illness
|
|
gptkbp:translated_into
|
Multiple languages
|
|
gptkbp:won
|
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Drama
gptkb:Pulitzer_Prize
gptkb:BAFTA_Award_for_Best_Film_Music
gptkb:Best_Actress_Academy_Award
BAFTA Award for Best Adapted Screenplay
|
|
gptkbp:won_award
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Drama
gptkb:Academy_Award_for_Best_Actress
gptkb:9
gptkb:Pulitzer_Prize
BAFTA Award for Best Adapted Screenplay
|
|
gptkbp:written_by
|
gptkb:Michael_Cunningham
gptkb:David_Hare
|
|
gptkbp:bfsParent
|
gptkb:Meryl_Streep
gptkb:Nicole_Kidman
gptkb:Philip_Glass
|
|
gptkbp:bfsLayer
|
3
|