gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
|
6
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gptkbp:bfsParent
|
gptkb:Tony_Lo_Bianco
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gptkbp:based_on
|
true crime story
|
gptkbp:box_office
|
$1 million
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gptkbp:character
|
gptkb:Detective
gptkb:Martha_Beck
gptkb:legal_case
Raymond Fernandez
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gptkbp:cinematography
|
gptkb:Oliver_Wood
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
cult classic
|
gptkbp:cultural_impact
|
inspired other films
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gptkbp:depicts
|
gptkb:physicist
gptkb:award
gptkb:historical_event
gptkb:betrayal
gptkb:greed
gptkb:moral_ambiguity
gptkb:Police_Department
gptkb:book
gptkb:military_operation
gptkb:artwork
gptkb:legal_case
social isolation
social issues
social commentary
trust issues
audience engagement
moral dilemmas
cinematic techniques
narrative complexity
emotional conflict
power dynamics
visual storytelling
cultural impact
survival instincts
family dynamics
identity crisis
emotional manipulation
emotional turmoil
moral conflict
desperation
human psychology
cultural critique
psychological trauma
crime investigation
relationship dynamics
victimization
thematic depth
consequences of crime
murder spree
crime motives
psychological profiles
|
gptkbp:directed_by
|
Leonard Kastle
|
gptkbp:distributor
|
gptkb:Cinerama_Releasing_Corporation
|
gptkbp:edited_by
|
Leonard Kastle
|
gptkbp:film_festival
|
gptkb:film_festival
|
gptkbp:filming_location
|
gptkb:New_Jersey
|
gptkbp:filmography
|
realism
|
gptkbp:genre
|
crime drama
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Honeymoon Killers
|
gptkbp:influenced_by
|
film noir
documentary style
|
gptkbp:inspired_by
|
The Lonely Hearts Killers
|
gptkbp:is_available_on
|
gptkb:DJ
gptkb:film
|
gptkbp:language
|
English
|
gptkbp:music_by
|
gptkb:M._M._Kaye
|
gptkbp:narrative_style
|
non-linear
|
gptkbp:notable_for
|
real-life murder case
|
gptkbp:premiered_on
|
gptkb:New_York_Film_Festival
|
gptkbp:released_in
|
gptkb:1970
|
gptkbp:runtime
|
107 minutes
|
gptkbp:screenplay_by
|
Leonard Kastle
|
gptkbp:starring
|
gptkb:Tony_Lo_Bianco
Shirley Stoler
|
gptkbp:theme
|
love and crime
|