Statements (34)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Thomas_Dekker
gptkb:Dangerous_Beauty |
| gptkbp:adaptation |
The Honest Whore, Part 2
|
| gptkbp:author |
gptkb:Thomas_Dekker
|
| gptkbp:critical_reception |
mixed reviews
|
| gptkbp:cultural_significance |
explores themes of virtue and vice
reflects on the role of women in society depicts the complexities of love and relationships |
| gptkbp:first_performance |
1604
|
| gptkbp:genre |
gptkb:musical
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Honest Whore
|
| gptkbp:influence |
gptkb:restoration_comedy
|
| gptkbp:inspired_by |
gptkb:The_Roaring_Girl
The City Madam |
| gptkbp:language |
English
|
| gptkbp:notable_character |
Hippolito
Bellafront Mistris of the house |
| gptkbp:notable_quote |
" Love is a game of chance."
" A woman's worth is not in her body." " Deceit is the mother of all mischief." " I am a whore, but I am honest." " Virtue is the best treasure." |
| gptkbp:performance |
performed at the Fortune Theatre
performed at the Red Bull Theatre |
| gptkbp:published_by |
1616
|
| gptkbp:related_to |
gptkb:The_Witch_of_Edmonton
The Second Maiden's Tragedy |
| gptkbp:setting |
gptkb:Borough
|
| gptkbp:theme |
gptkb:military_operation
morality social status |