|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Robert_Ludlum
|
|
gptkbp:adaptation
|
gptkb:film
changes in character arcs
|
|
gptkbp:artist
|
gptkb:Nick_Dudman
|
|
gptkbp:author
|
gptkb:John_le_Carré
realistic dialogue
|
|
gptkbp:awards
|
Nominated for 1 BAFTA Award
Nominated for 1 Golden Globe
|
|
gptkbp:based_on
|
gptkb:novel
|
|
gptkbp:box_office
|
$2.5 million
$1.5 million
|
|
gptkbp:budget
|
$10 million
|
|
gptkbp:character
|
gptkb:Colonel_Stalworthy
gptkb:Miriam_Holcroft
gptkb:Noel_Holcroft
gptkb:Sir_John_Preston
Mr. H.
|
|
gptkbp:character_appearance
|
gptkb:Maggie_H._Smith
|
|
gptkbp:character_arc
|
Noel's transformation
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:character_relationships
|
gptkb:hubris
strained family dynamics
|
|
gptkbp:cinematography
|
gptkb:James_A._Contner
gptkb:Gordon_Willis
|
|
gptkbp:climax
|
revelation of the truth
|
|
gptkbp:composer
|
gptkb:Lalo_Schifrin
|
|
gptkbp:conflict
|
moral dilemmas
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
Mixed reviews
mixed reviews
|
|
gptkbp:cultural_impact
|
Cult following
influenced spy genre
|
|
gptkbp:design
|
gptkb:Richard_Macdonald
|
|
gptkbp:director
|
gptkb:John_Frankenheimer
|
|
gptkbp:distributor
|
gptkb:Cannon_Group
|
|
gptkbp:edited_by
|
gptkb:David_Bretherton
|
|
gptkbp:editor
|
gptkb:Tony_Lawson
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:London_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:film_score
|
gptkb:Lalo_Schifrin
|
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:government_agency
|
|
gptkbp:filmography
|
gptkb:David_Bretherton
|
|
gptkbp:genre
|
gptkb:Thriller
gptkb:film
|
|
gptkbp:has_gameplay_element
|
the covenant itself
|
|
gptkbp:historical_context
|
post-World War II
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:collection
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Holcroft Covenant
|
|
gptkbp:influenced_by
|
gptkb:Detective
gptkb:Monarch
gptkb:World_War_II
|
|
gptkbp:influences
|
Cold War politics
|
|
gptkbp:is_critical_for
|
examines human nature.
|
|
gptkbp:is_motivated_by
|
personal gain
|
|
gptkbp:isbn
|
978-0-340-56480-0
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
foreshadowing
|
|
gptkbp:main_character
|
gptkb:Noel_Holcroft
|
|
gptkbp:moral
|
central theme
|
|
gptkbp:motif
|
gptkb:TV_series
|
|
gptkbp:narrative_style
|
third-person
linear
|
|
gptkbp:notable_character
|
gptkb:Graham
gptkb:Miriam_Holcroft
gptkb:Sir_John_Preston
|
|
gptkbp:notable_quote
|
" You can't trust anyone."
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:plot
|
A man discovers a hidden fortune.
A British architect discovers a hidden fortune.
|
|
gptkbp:plot_twist
|
unexpected revelations
|
|
gptkbp:premiere
|
gptkb:Borough
|
|
gptkbp:production_company
|
gptkb:Cannon_Group
|
|
gptkbp:published_by
|
gptkb:1990
|
|
gptkbp:publisher
|
gptkb:Hodder_&_Stoughton
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:reader_demographic
|
adult readers
thought-provoking
|
|
gptkbp:related_works
|
gptkb:The_Spy_Who_Came_in_from_the_Cold
|
|
gptkbp:release_date
|
April 5, 1985
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1985
gptkb:1993
|
|
gptkbp:resolution
|
consequences of choices
|
|
gptkbp:runtime
|
108 minutes
|
|
gptkbp:screenplay_by
|
gptkb:John_le_Carré
|
|
gptkbp:setting
|
gptkb:Europe
|
|
gptkbp:significance
|
explores ethical dilemmas
|
|
gptkbp:sound
|
gptkb:Richard_King
gptkb:Michael_Minkler
gptkb:Michael_J._Kohler
|
|
gptkbp:soundtrack
|
gptkb:Lalo_Schifrin
composed by Jerry Goldsmith
|
|
gptkbp:starring
|
gptkb:Charlotte_Rampling
gptkb:Michael_Caine
gptkb:James_Fox
|
|
gptkbp:style
|
suspenseful
|
|
gptkbp:symbolism
|
money and morality
|
|
gptkbp:thematic_element
|
trust and deception
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:betrayal
gptkb:Greed
War crimes
Trust and betrayal
|
|
gptkbp:visual_effects
|
gptkb:John_Richardson
gptkb:Richard_Edlund
|