|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Peter_Fonda
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:antagonist
|
societal norms
|
|
gptkbp:art_style
|
Naturalistic cinematography
|
|
gptkbp:artist
|
gptkb:John_T._Chambers
|
|
gptkbp:aspect_ratio
|
1.85:1
|
|
gptkbp:author
|
gptkb:Marilynne_Robinson
|
|
gptkbp:awards
|
gptkb:none
Best Director nomination
|
|
gptkbp:box_office
|
$1.5 million
$2 million
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:character
|
gptkb:The_Hired_Hand
gptkb:The_Wife
The Townsfolk
The Rival
The Sheriff
|
|
gptkbp:character_appearance
|
gptkb:Marlene_Stewart
|
|
gptkbp:character_arc
|
redemptive journey
|
|
gptkbp:character_development
|
gptkb:significant
gptkb:launch_complex
Complex characters
|
|
gptkbp:character_relationships
|
self-doubt
strained
complex interactions
|
|
gptkbp:cinematography
|
gptkb:Vilmos_Zsigmond
gptkb:Haskell_Wexler
|
|
gptkbp:color
|
gptkb:color
|
|
gptkbp:conflict
|
internal
ambiguous
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
Positive
positive
|
|
gptkbp:cultural_impact
|
influenced later works
Cult classic status
|
|
gptkbp:cultural_references
|
gptkb:mythological_figure
|
|
gptkbp:cultural_significance
|
Explores the human condition.
Reflects societal changes in the 1970s.
Represents a shift in Western genre.
|
|
gptkbp:design
|
gptkb:Robert_F._Boyle
|
|
gptkbp:directed_by
|
gptkb:Peter_Fonda
|
|
gptkbp:director
|
gptkb:Peter_Fonda
gptkb:Mark_Rydell
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
gptkb:Frank_P._Keller
gptkb:Robert_C._Jones
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival_2023
|
|
gptkbp:film_score
|
gptkb:John_Williams
|
|
gptkbp:filming_location
|
gptkb:New_Mexico
gptkb:Utah
|
|
gptkbp:filmography
|
gptkb:Frank_P._Keller
gptkb:Robert_C._Jones
|
|
gptkbp:genre
|
gptkb:Author
gptkb:High_School
Western
|
|
gptkbp:has_backstory
|
tragic past
|
|
gptkbp:has_gameplay_element
|
nature
|
|
gptkbp:historical_context
|
post-war America
|
|
gptkbp:home_media_release
|
Blu-ray release in 2011
DVD release in 2000
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Hired Hand
|
|
gptkbp:influenced
|
Independent cinema
|
|
gptkbp:influenced_artists
|
gptkb:Willa_Cather
|
|
gptkbp:influenced_by
|
gptkb:American_Western_films
gptkb:European_art_cinema
|
|
gptkbp:influences
|
gptkb:Spaghetti_Westerns
American literature
Classic Westerns
|
|
gptkbp:inspiration
|
personal experiences
|
|
gptkbp:inspired_by
|
The Hired Hand (novel)
W. R. Burnett's novel
|
|
gptkbp:is_critical_for
|
Discussed in film studies.
examined in literature courses
Examined for its themes of masculinity.
Studied for its cinematography.
|
|
gptkbp:is_criticized_for
|
gptkb:Peter_Travers
gptkb:Roger_Ebert
gptkb:Joe_Morgenstern
gptkb:Owen_Gleiberman
gptkb:Scott_Foundas
gptkb:David_Edelstein
gptkb:Lisa_Schwarzbaum
gptkb:Richard_Roeper
gptkb:James_Berardinelli
gptkb:A._O._Scott
|
|
gptkbp:is_motivated_by
|
search for belonging
|
|
gptkbp:isbn
|
978-0-15-162200-0
|
|
gptkbp:language
|
English
realistic
|
|
gptkbp:legacy
|
Influence on later Westerns
|
|
gptkbp:literary_devices
|
foreshadowing
|
|
gptkbp:main_character
|
gptkb:Harry
|
|
gptkbp:mood
|
gptkb:melancholic
|
|
gptkbp:motif
|
isolation
|
|
gptkbp:music_by
|
gptkb:Duke
gptkb:John_Williams
|
|
gptkbp:narrative_style
|
Western
third-person
imagery
non-linear
A hired hand returns home after years away.
|
|
gptkbp:notable_appearance
|
gptkb:Final_confrontation
Flashbacks to the past
Return of the hired hand
|
|
gptkbp:origin
|
gptkb:United_States
|
|
gptkbp:page_count
|
192
|
|
gptkbp:plot
|
episodic
|
|
gptkbp:plot_twist
|
unexpected
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Peter_Fonda
|
|
gptkbp:production_company
|
gptkb:20th_Century_Fox
Fonda Films
|
|
gptkbp:published_year
|
gptkb:1973
|
|
gptkbp:publisher
|
gptkb:Harcourt_Brace_Jovanovich
|
|
gptkbp:reader_demographic
|
adult readers
thought-provoking
|
|
gptkbp:release_date
|
April 2023
1971-06-01
|
|
gptkbp:release_format
|
Theatrical
|
|
gptkbp:release_year
|
gptkb:1971
gptkb:2023
|
|
gptkbp:released_in
|
gptkb:1971
|
|
gptkbp:remake
|
The Hired Hand (2023)
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenings
|
World Premiere
|
|
gptkbp:screenplay_by
|
gptkb:Peter_Fonda
gptkb:W._R._Burnett
|
|
gptkbp:setting
|
gptkb:American_West
early 20th century
|
|
gptkbp:significance
|
notable debut
|
|
gptkbp:sound
|
gptkb:Walter_Murch
|
|
gptkbp:soundtrack
|
Duke Ellington's compositions
|
|
gptkbp:starring
|
gptkb:Julie_Adams
gptkb:Peter_Fonda
gptkb:Warren_Oates
gptkb:Robert_Blake
gptkb:Verna_Bloom
Ruth White
|
|
gptkbp:stations
|
critically acclaimed
|
|
gptkbp:style
|
lyrical
|
|
gptkbp:symbolism
|
gptkb:Palace
Harry as the everyman
|
|
gptkbp:target_audience
|
Adults
|
|
gptkbp:thematic_element
|
gptkb:TV_series
|
|
gptkbp:theme
|
gptkb:Redemption
redemption
|
|
gptkbp:themes
|
gptkb:Isolation
gptkb:Love
gptkb:Redemption
gptkb:existentialism
gptkb:Betrayal
|
|
gptkbp:viewpoint
|
omniscient
|
|
gptkbp:visual_effects
|
gptkb:Industrial_Light_&_Magic
|