Statements (54)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
Hippolytus (play by Sarah Kane)
|
| gptkbp:author |
gptkb:Euripides
|
| gptkbp:character_relationships |
Hippolytus and Phaedra
Hippolytus and Theseus Phaedra and Theseus |
| gptkbp:conflict |
Hippolytus vs Phaedra
Hippolytus vs Theseus Phaedra vs her desires |
| gptkbp:cultural_significance |
gptkb:Greek_mythology
mythological themes feminine perspective |
| gptkbp:first_performance |
428 BC
|
| gptkbp:genre |
gptkb:tragedy
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Hippolytus of Euripides
|
| gptkbp:influence |
gptkb:theater
Western literature |
| gptkbp:language |
gptkb:Ancient_Greek
|
| gptkbp:main_character |
gptkb:Hippolytus
gptkb:Phaedra gptkb:Theseus |
| gptkbp:moral |
Tragedy of misunderstanding
Consequences of passion Impact of divine intervention |
| gptkbp:notable_production |
National Theatre production
Royal Shakespeare Company production Greek Festival performances |
| gptkbp:notable_quote |
“ I am not what I am.”
|
| gptkbp:performance |
adapted into films
revived in modern theater performed in ancient Greece |
| gptkbp:scholarly_analysis |
analyzed for its narrative structure
examined for its moral implications examined for its cultural impact interpreted through feminist lens analyzed for its use of dramatic irony studied for character motivations studied for its emotional depth compared to other works by Euripides examined for its character arcs explored for its tragic flaws analyzed for themes of desire contextualized within ancient Greek society discussed in relation to Greek mythology discussed in relation to fate and free will explored for its philosophical questions explored for its tragic structure studied for its emotional impact |
| gptkbp:setting |
gptkb:Ancient_Greece
|
| gptkbp:theme |
gptkb:betrayal
gptkb:fate love |
| gptkbp:bfsParent |
gptkb:Hippolytus
|
| gptkbp:bfsLayer |
5
|