gptkbp:instance_of
|
gptkb:film
|
gptkbp:artist
|
gptkb:Kazu_Hiro
gptkb:Nickole_Ray
|
gptkbp:awards
|
nominated for several awards
|
gptkbp:based_on
|
true events
|
gptkbp:box_office
|
$1.2 million
|
gptkbp:budget
|
$50 million
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gptkbp:character
|
gptkb:Frank_Hamer
gptkb:Clyde_Barrow
gptkb:Bonnie_Parker
gptkb:Maney_Gault
|
gptkbp:character_appearance
|
gptkb:Arianne_Phillips
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gptkbp:character_development
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gptkb:Frank_Hamer
gptkb:Maney_Gault
|
gptkbp:cinematography
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gptkb:John_Schwartzman
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gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
mixed reviews
|
gptkbp:cultural_impact
|
influenced crime dramas
revived interest in Bonnie and Clyde
|
gptkbp:directed_by
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gptkb:John_Lee_Hancock
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gptkbp:distributor
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gptkb:streaming_service
|
gptkbp:edited_by
|
Robert Frazen
|
gptkbp:features
|
gptkb:Bonnie_and_Clyde
|
gptkbp:filming_location
|
gptkb:legislation
gptkb:Louisiana
gptkb:Austin,_Texas
|
gptkbp:follows
|
gptkb:Texas_Rangers
|
gptkbp:genre
|
gptkb:Police_Department
gptkb:High_School
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Highwaymen (film)
|
gptkbp:inspired_by
|
gptkb:historical_event
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gptkbp:language
|
English
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gptkbp:music_by
|
gptkb:Thomas_Newman
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gptkbp:narrative_style
|
non-linear
|
gptkbp:performance
|
moderate
|
gptkbp:premiered_on
|
gptkb:South_by_Southwest
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gptkbp:produced_by
|
gptkb:Casey_Silver
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gptkbp:production_company
|
gptkb:streaming_service
gptkb:Hancock_Productions
gptkb:Silver_Pictures
|
gptkbp:rating
|
60% on Rotten Tomatoes
6.5/10 on IM Db
|
gptkbp:release_format
|
streaming
|
gptkbp:released
|
March 29, 2019
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gptkbp:runtime
|
132 minutes
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gptkbp:set_in
|
1930s
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gptkbp:soundtrack
|
gptkb:Thomas_Newman
|
gptkbp:starring
|
gptkb:Kevin_Costner
gptkb:Woody_Harrelson
|
gptkbp:themes
|
gptkb:justice
gptkb:Police_Department
morality
|
gptkbp:viewership
|
millions on Netflix
|
gptkbp:visual_effects
|
gptkb:Rising_Sun_Pictures
|
gptkbp:written_by
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gptkb:John_Lee_Hancock
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gptkbp:bfsParent
|
gptkb:The_Highwaymen
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gptkbp:bfsLayer
|
4
|