gptkbp:instance_of
|
gptkb:film
|
gptkbp:based_on
|
gptkb:novel
|
gptkbp:box_office
|
$1.5 million
|
gptkbp:cast
|
gptkb:Ana_Ivanova
gptkb:Nadia_C.
Ana Brun
Luis Aguirre
Margarita Irun
|
gptkbp:character_development
|
Chela's transformation
Chiquita's influence
|
gptkbp:cinematography_by
|
Luis Armando Arteaga
|
gptkbp:country
|
gptkb:Paraguay
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gptkbp:critical_reception
|
positive reviews
|
gptkbp:cultural_impact
|
increased visibility for Paraguayan cinema
inspired discussions on aging and relationships
|
gptkbp:cultural_significance
|
female perspective
representation of LGBTQ+ themes
exploration of Paraguayan society
|
gptkbp:directed_by
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gptkb:Marcelo_Martinessi
|
gptkbp:distributor
|
gptkb:Strand_Releasing
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
|
gptkbp:film_length
|
95 minutes
|
gptkbp:film_score
|
gptkb:R
|
gptkbp:film_technique
|
realism
natural lighting
long takes
minimalist dialogue
|
gptkbp:genre
|
gptkb:drama
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Heiresses
|
gptkbp:influences
|
gptkb:European_art_cinema
gptkb:Italian_neorealism
Latin American cinema
|
gptkbp:is_acclaimed_for
|
high ratings on Metacritic
high ratings on Rotten Tomatoes
|
gptkbp:language
|
gptkb:Spanish
|
gptkbp:main_character
|
gptkb:Chiquita
Chela
|
gptkbp:music_by
|
gptkb:Alfonso_de_Vilallonga
|
gptkbp:premiered_on
|
gptkb:Berlin_International_Film_Festival
|
gptkbp:production_company
|
gptkb:Paz_Cinema
|
gptkbp:release_date
|
August 2, 2018
|
gptkbp:released_in
|
gptkb:2018
|
gptkbp:runtime
|
95 minutes
|
gptkbp:screenplay_by
|
gptkb:Marcelo_Martinessi
|
gptkbp:setting
|
AsunciĆ³n, Paraguay
|
gptkbp:themes
|
gptkb:class
gptkb:loss
love
aging
|
gptkbp:won_award
|
Best Director at the 2018 Berlin International Film Festival
|
gptkbp:bfsParent
|
gptkb:Sara_Shepard
|
gptkbp:bfsLayer
|
6
|